BUILT CLOSE TO THE WATER

Architectural icons and the sea level

By Ahrenshoop Art Museum

Marion Schael · Nicolas Perren

Reflections on the exhibition

Many myths entwine around the dangers of the seas. Even the disappearance of entire cities in the sea is described. So is the story of the legendary city of Vineta, sunken in the Bodden, in the immediate vicinity of Ahrenshoop. We want to spin a new narrative thread to this phenomenon in the exhibition “Built close to the water” in the Kunstmuseum Ahrenhoop. 
In the tides, the sea shows itself in its temporal dependence on the position of the earth, moon and sun. 


With the discovery of the tide table in the 17th century, it was possible to predict the tides and coastal shipping became plannable. Today, our views reach further into the past and into the future than ever before. We are thus beginning to understand our environment in the changing climate. With this change of perspective we can now also see how the sea level changes over long periods of time, depending on the aggregate state of the water in our earth-spheres. 

For a long time, sea level was considered to be a fixed size. Thus sea level became the reference altitude for our geographical reference system. But even this seemingly fixed reference system is subject to constant changes over time. In former times there was an indicator of normal zero altitude at every German railroad station. This height system was later replaced by the European Vertical Reference System, EVRS. In Germany only the name of the unit of measurement changed, the values remained the same. 


There are many reasons to build at the water’s edge: strategic, logistical, religious, scientific, but also purely aesthetic, where the view aspect is of the essence. With rising temperatures worldwide,
glaciers and ice caps are melting. The released water flows into the oceans, sea levels rise. The coastline is changing and with it, its relationship to the buildings along the shores. 


„Built close to the water“, presents a cross-section of architectural icons that are threatened by this fate. The height of the site becomes a chronometer for its diving into the tides. In addition to the location, our selection criteria were architectural quality and contemporary relevance. 

The changing media of the exhibits and the lighting turn the exhibition space into a space of experience and discovery. The visitor is taken into an architectural Wunderkammer of the future. The architectures are made tangible through photos, models, films and virtual realities. The lighting is reflected by a water surface on the exhibition ceiling. The visitor dives, with the exhibits, prematurely into the floods and undertakes a time travel into the future.


As the curatorial team of this architectural exhibition, we would like to thank all those involved. The collaboration was swift, uncomplicated and extremely cooperative, and the result is impressive. Without the support of many, but especially the Ostdeutsche Sparkassenstiftung, the exhibition would not have been possible. Our special thanks go to them.


We wish all guests a good time in our exhibition with new impressions, perspectives and insights. 

Marion Schael and Nicolas Perren



Ice dynamics of the last ice age in the Alps

Videoextract: J. Seguinot, S. Ivy-Ochs, G. Jouvet, M. Huss, M. Funk, F. Preusser
Project: ETH Zürich, Departement Bau, Umwelt und Geomatik
Location: Alpen, Europa
Year: 2018
Elevation above mean sea level:  variabel

Ice dynamics of the last ice age in the Alps (2018) by Julien SeguinotAhrenshoop Art Museum

In the Alps, the influence of time can be seen in a clear way in the topography. Where in the lowlands the vegetation covers the topography, the steep slopes of the alpine valleys clearly show their history of formation. 

This also indicates the climatic conditions during their formation. During the ice ages, glaciers shaped many of the landscapes we know today, such as the U-shaped valleys or terminal moraine landscapes. The amount of water bound as ice in the cryosphere has a decisive influence on sea level.

 In 2018, Julien Seguinot, Susan Ivy-Ochs, Guillaume Jouvet, Matthias Huss, Martin Funk, and Frank Preusser documented the relationship between temperature and ice volume in the Alps over the last 120,000 years in a film in their paper "Ice Dynamics of the Last Ice Age in the Alps." The computational model impressively shows how, as the ice sheets grow and bind the water, the Adriatic Sea retreats.

Casa Malaparte     

Videoextract: Le Mepris, Jean-Luc Godard, 1963 
Project: Adalberto Libera (1903 - 1963) 
Location: Punta Massullo, Capri, Italien 
Coordinates: 40°32’49”N 14°15’33”E 
Year: 1937 
Elevation above mean sea level: 32 mEVRS

Casa Malaparte (1938) by Adalberto LiberaAhrenshoop Art Museum

Casa Malaparte is the epitome of the architectural response to the position to the sea. Although the house seems to be closed in on itself, when you enter it opens as a pure frame to a breathtaking view of the Tyrrhenian Sea. Designed by architect Adalberto Libera in 1938, the house was built on the island of Capri (IT) for publisher Curzio Malaparte. 

In Jean-Luc Godard's 1963 film "The Contempt", Casa Malaparte as an icon of modern architecture is not only a film set but stars alongside Brigitte Bardot, Michel Piccoli, Fritz Lang and Jack Palance. 

Salk Institute for Biological Studies

Video: Chang Kyun Kim 
Project: Louis Kahn (1901 - 1974) 
Location: La Jolla, Californien, U.S.A. 
Coordinates: 32°53’13.6”N 117°14’43.9”W 
Year: 1962 
Elevation above mean sea level: 260 mEVRS

Salk Institute (1962) by Louis KahnAhrenshoop Art Museum

The Salk Institute for Biological Studies in La Jolla (USA) was founded in 1960 by Jonas Salk, the developer of the polio vaccine. Here, diverse researchers from all over the world were to meet in an inspiring environment to conduct research for the benefit of mankind. 


Louis Kahn translated this task in 1962 into a strictly symmetrical two-winged complex around a central courtyard that opens towards the Pacific Ocean. Upon entering the building ensemble, one is immediately struck by the almost monastic concentration. The courtyard serves as a large open-air meeting space for researchers. The watercourse points the view to the large pool, which forms the natural transition to the expanse of the Pacific Ocean.

Rescue Tower in Binz 

Model: Ulrich Müther 
Photo: Voigt & Kranz UG, ostsee-kuestenbilder.de

Project: Ulrich Müther (1934-2007) 
Location: Binz, Mecklenburg-Vorpommern, Germany 
Coordinates: 54°23’57.7”N 13°37’12.9”E 
Year: 1968 
Elevation above mean sea level: 2 mEVRS  

Lifeguard tower (1968) by Ulrich MütherAhrenshoop Art Museum

The rescue tower in Binz (D), today also known as the Müther Tower, was built as a lookout for the lifeguards in 1981. Ulrich Müther used minimal means to create a four-sided glazed edgeless space from his signature double-curved concrete shell construction.

The futuristic building looks like a foundling left behind from the future. The interior space escapes reality through the omnipresent reflection of the horizon in all window fronts.

Border Check Point Sarpi

Photo: Jesko Johnsson-Zahn 
Project: Jürgen Mayer H. 
Location: Sarpi, Georgien 
Coordinates: 41°31’15.6”N 41°32’54.1”E 
Year: 2010 
Elevation above mean sea level: 9 mEVRS

Border Check Point Sarpi (2010) by Jürgen Mayer H.Ahrenshoop Art Museum

The border checkpoint in Sarpi (GEO) between Georgia and Turkey is located directly on the shore of the Black Sea, and in its striking style is more border stone than border post. The sculptural building appears like a huge wave with towering spray. 

The architect Jürgen Mayer H. designed this tower with cantilevered terraces and a flat building with a wave shaped roof in 2010. In addition to customs, the border checkpoint is also a vantage point and contains a cafeteria and a conference hall. Thus, at this point, the connecting elements are emphasized over the demarcating ones.

Sydney Opera House

Video: Vivid Festivals 2019 
Project: Jørn Utzon (1918 - 2008) 
Location: Sydney, Australia
Coordinates: 33°51’22.2”S 151°12’55.7”E 
Year: 1957 
Elevation above mean sea level: 2 mEVRS

Sydney Opera House (1957) by Jørn UtzonAhrenshoop Art Museum

The Sydney Opera House (AUS) is one of the most famous and distinctive buildings of the 20th century and has become the landmark of the Australian continent. The building, located directly on Sydney Harbour, appears as a sailboat with inflated sails. 


The roof shells only touch the base at certain points, giving the ensemble a tremendous lightness. The base, clad in red granite, forms the interface with the water on three sides. 

 Jörn Utzon won the architectural competition in 1957, construction work began in 1959 and was completed in 1973 with the inauguration. Today, the opera house houses 8 performance venues inside and a large open-air stage.

Coastal Sauna in Helsinki 

Photo: kuvio.com 
Project: Avanto Architects 
Location: Helsinki, Finnland 
Coordinates: 60°09’07.7”N 24°55’49.7”E 
Year: 2011 
Elevation above mean sea level: 2 mEVRS  

Löyly Coastal Sauna (2011) by Avanto ArchitectsAhrenshoop Art Museum

The coastal sauna named Löyly is located in Hernesaari, a former industrial area of Helsinki (FIN), which is currently being renovated. The sauna is an integral part of the Finnish way of life. Located directly on the waterfront, Avanto Architects have added a sharp-edged structure to the coastal landscape. 

Löyly sits on the harbor pier like a "stealth building." The building can be experienced 3 dimensionally via the terrace, the roof but also from the water. The uses include the next to the sauna, a restaurant and viewing terraces.

Milford-on-Sea Beach Huts

Photo: Martin Gardner 
Project: Snug Architects 
Artist: Paul Bulkeley and Ryan Bond 
Location: Milford-on-Sea, GB 
Coordinates: 50°43’15.4”N 1°35’27.8”W 
Year: 2015 
Elevation above mean sea level: 2 mEVRS

Milford-on-Sea Beach Huts (2015) by Snug ArchitectsAhrenshoop Art Museum

The beach huts in Milford-on-Sea (UK) provide a storm shelter for the community during a 1/200 event. After the original beach huts were severely damaged during a huge storm in 2014, the 119 beach huts were replaced. In the process, Milford's beachfront was also renovated. 

Designed by Snug Architects in collaboration with artists Paul Bulkeley and Ryan Bond, the colorful structure defends against the onrushing waters. The promenade was moved to the roof of the beach huts. This shifts the visitor's perspective upwards and opens up an unobstructed view of the sea.

Beach Chapel

Photo: Chen Hao 
Project: Vector Architects 
Location: Beidaihe New District, China 
Coordinates: 39°39’13.0”N 119°18’58.5”E 
Year: 2014 
Elevation above mean sea level: 1 mEVRS

Beach Chapel (2014) by Vector ArchitectsAhrenshoop Art Museum

In Beidaihe (CN), a coastal town east of Beijing, there is a chapel directly on the beach. At high tide, the chapel is literally submerged in water; only the slightly elevated access path and the entrance stairs allow entry on dry feet.

The chapel by Vector Architekten lies like flotsam on the beach. The geometric form allows it to be identified as man-made. The bell tower is set off from the main roof by a deep cut. The light guides in the chapel give a lot of sacredness to the prayer space, which is oriented towards the sea. In the dark, the precisely placed lighting emphasizes the strong geometric form. 

Halley Antarctic Station

Photo: Antony Dubber, Video: British Antarctic Survey 
Project: Hugh Broughton Architects und Aecom für das British Antarctic Survey Location: Brunt-Eisschelf, Antarktic 
Coordinates: 75°34’5”S, 25°30’30”W 
Year: 2007 
Elevation above mean sea level: 150 mEVRS

Halley VI Research Station (2007) by Hugh Broughton Architects and Aecom for British Antarctic SurveyAhrenshoop Art Museum

Halley Station, founded in 1956, on the Brunt Ice Shelf in the East Antarctic, is a research station of the British Antarctic Survey dedicated to the study of the Earth's atmosphere. Measurements taken there were used to discover the ozone hole in 1985.  

Halley VI, completed in 2012, is the sixth iteration of Halley Station: the first 4 were built directly on the ice shelf and over time were crushed by the masses of snow, the fifth was built elevated but was threatened by the break-off edge of the ice shelf and had to be abandoned. 

Designed by Hugh Broughton Architects in collaboration with AECOM for the British Antarctic Survey, Halley VI is the first mobile research station. On hydraulic legs, it can independently adjust to rising snow levels and is also mobile in terms of location.

Ladeira da Misericórdia     

Mixed Media 
Project: Lina Bo Bardi (1914 - 1992) 
Location: Salvador, Brasil
Coordinates: 12°58’23.2”S 38°30’43.6”W 
Year: 1987 
Elevation above mean sea level: 34 mEVRS

Ladeira da Misericordia (1987) by Lina Bo BardiAhrenshoop Art Museum

The Ladeira da Misericordia was an important historical road connection, between the upper and lower parts of the city of Salvador de Bahia (BRA). Now largely abandoned, architect Lina Bo Bardi chose it as the site of a visionary project in the 1980s.

She transformed four dilapidated and abandoned buildings into exemplary social housing. A vacant lot next door became the setting for another of the architect's experimental buildings - a restaurant that integrated the new architecture into the existing vegetation.

The Coaty Restaurant became a popular cultural center. The sweeping views of the harbor, Atlantic Ocean and All Saints Bay were reduced to small amoeba-like windows, while the restaurant focused inward on integrated nature in the form of a giant fig tree.

Yngsjö - Summer House

Virtual Reality - Installation: Fahlander Architekten 
Project: Fahlander Architekten 
Location: Yngsjö, Schweden 
Coordinates: 55°52’31.2”N 14°13’29.9”E 
Year: 2020 
Elevation above mean sea level: 3 mEVRS

Yngsjö - Summer House (2020) by Fahlander ArchitekterAhrenshoop Art Museum

The summer house in Yngsjö (SE), 450 kilometers south of Stockholm, is located slightly off the coastline at normal water. Local building regulations already foresee sea level rise and require a certain height quota for inhabited spaces.  Mats Fahlander Architects designed a building that is raised by columns to a height of 3 meters above the ground. 

All water-sensitive components and fixtures are thus raised above the hazard level. What appears to be a logical conclusion, reminiscent of pile dwellings of the Bronze Age, could once again become a solution for the future of construction on the coast. 

The panoramic film impressively illustrates the rise of the water.

Rewers Rahbek Home

Photo: Christian Richters 
Project: Diener & Diener Architekten 
Location: Falster, Dänemark 
Coordinates: 54°43’09.6”N 12°00’21.4”E 
Year: 2011 
Elevation above mean sea level: 3 mEVRS

House Rewers Rahbek (2011) by Diener & Diener ArchitektenAhrenshoop Art Museum

Falster (DK) is the southernmost island of Denmark, about 100 kilometers south of Copenhagen, 50 kilometers north of Ahrenshoop. Diener und Diener Architek-ten designed the private house Rewers Rahbek directly on the coast in 2010. 

The U-shaped floor plan opens to the sea. The horizontally oriented building, clad in dark wood with its dark windows, appears monolithically connected to the landscape. The facade can be opened and closed by sliding louvre shutters. 

Depending on the use of the house, the time of day and the position of the sun, a play of opening and retreat develops here.

Palast Orianda     

Illustration: Karl Friedrich Schinkel, Design for the Orianda Imperial Palace on Crimea, Berlin Bauinformation, 1987 
Project: Karl Friedrich Schinkel (1781 - 1841) 
Location: Oreanda, Crimea 
Coordinates: 44°27’25.1”N 34°08’31.8”E 
Year: 1838 
Elevation above mean sea level: 82 mEVRS

Draft for the imperial palace Orianda (1837) by Karl Friedrich SchinkelAhrenshoop Art Museum

Design for the Orianda Imperial Palace

The Orianda Imperial Palace on the Crimean peninsula can be seen as the architect Karl Friedrich Schinkel's ideal solution for a representative summer palace.

Commissioned in 1837 by Tsarina Alexandra Fedorovna, Schinkel designed an idealized project that was never realized. 

Situated on a cliff above the Black Sea, the palace design fascinates by its ambivalence; on the one hand, the representative turn towards the view with a huge terrace and a central caryatid portico, on the other hand, the introverted museum rooms under hanging gardens.

Floating football pitch

Videoextract TMB Panyee FC 
Project: Prasit Hemmin 
Location: Koh Panyee, Thailand 
Coordinates: 8°20’07.0”N 98°30’07.4”E 
Year: 1986 
Elevation above mean sea level: 0 mEVRS

Swimming soccer field (1986)Ahrenshoop Art Museum

The fishing village of Koh Panyi on Phang Nga Bay (THA), is literally built on the water. The houses including the temple are built on stilts just above the water level. The plan to build a soccer field for the village youth was born out of enthusiasm for the 1986 World Cup. Thus the idea of a tide-independent, floating soccer field was born. This is now already in its second revision: The wooden planks have been replaced by plastic turf, and the risk of injury from protruding nails has been eliminated.

E.1027

Videoextract: Prince of Desire, Mary McGuckian, 2015, Trailer 
Project: Eileen Gray 
Location: Roquebrune-Cap-Martin, France 
Coordinates: 43°45’35.6”N 7°27’47.4”E 
Year: 1926 
Elevation above mean sea level: 18 mEVRS

E.1027 (1926) by Eileen GreyAhrenshoop Art Museum

At E.1027 or "Maison en Bord de Mer" - House by the Sea in Roquebrune-Cap-Martin (FR), the name says it all. Built directly on the water's edge of the Mediterranean, it opens spectacularly in only one direction, towards the sea. 

The Irish designer and architect Eileen Gray, planned the house in 1926 together with the Romanian architect Jean Badovici. The house plays spatially with the water in various ways: through the spacious roof terrace, the generously glazed balcony in front of the living room, the densely planted garden, and the private bedrooms and study facing the sea.

Structures on the Edge Tower

Photo: MSA-Gruff 
Project: MSA-Gruff Architects 
Location: Chapel Six Marshes, GB 
Coordinates: 53°14’32.3”N 0°20’07.2”E 
Year: 2014 
Elevation above mean sea level: 3 mEVRS

Structures on the Edge Tower (2014) by MSA-GruffAhrenshoop Art Museum

"Structures on the Edge" was launched in 2011 in Lincolnshire (UK), on the west coast of England. In a series of remote locations on the coast, artists have created walk-through sculptures that engage intensely with their surroundings. 

 Architectural collaboration MSA-Gruff have designed a project to explore the nature of the site's extreme environment: the point where land, sea and air meet in a shifting and ever-changing seascape. 

The observation tower reinforces the perpetual wind and makes connections to important parts of the landscape: the shifting sands, the tide line, and the emerging offshore wind farm

Hashima Island

Photo: Yves Marchand & Romain Meffre 
Project: Mitsubishi Goshi Kaisha 
Location: Hashima Island, Japan 
Coordinates: 32°37’39.3”N 129°44’17.9”E 
Year: 1916 
Elevation above mean sea level: 12 mEVRS

Hashima Island (1916)Ahrenshoop Art Museum

Hashima Island, also called Gunkanjima (Battleship Island), is an industrial ruin on a small island located about 20 kilometers south of Nagasaki (JP). Underwater coal mining was conducted from the island between 1887 and 1974.

Under the management of the Mitsubishi Group, the island was further developed from 1916 onwards and housed up to 5200 inhabitants. The first reinforced concrete building in Japan was built on the island. In January 1974, coal mining was declared finished, and in April 1974, the last boat left the island. 

Since then, the buildings on the island have been empty. Photographers Yves Marchand and Romain Meffre documented this ghost town in their book Gunkanjima. The pictures testify to a flight-like exodus of the inhabitants. Many everyday objects seem to be waiting for their former owners.

Ōsanbashi Pier in Yokohama Port

Photo: Navapon Plodprong 
Project: Foreign Office Architects 
Location: Yokohama, Japan 
Coordinates: 35°26’58.9”N 139°38’46.0”E 
Year: 1995 
Elevation above mean sea level: 1 mEVRS

Ōsanbashi Pier in Yokohama Port (JP) is its main international passenger pier. Ōsanbashi is the oldest pier in Yokohama, originally built between 1889 and 1896. Between 1988 and 2002, it was reconstructed as the Yokohama  International Passenger Terminal by Foreign Office Architects (Alejandro Zaera-Polo and Farshid Moussavi). The new pier can handle up to four ships simultaneously. It includes a large arrivals hall, ticket counter, customs, immigration, as well as a large multi-purpose hall, shopping arcade and café. The roof is designed as an expansive, gently curving observation deck with planted lawns. The movie linked here is a virtual visit to the pier created by Owen Prescott using Google Streetview.

In the Absence

Videoextract: Marlene Huster 
Project: Marlene Huster 
Location: Ahrenshoop, Germany 
Coordinates: 54°21’37.5”N 12°23’43.0”E 
Year: 2019 
Elevation above mean sea level: 0 mEVRS

In the Absence (2019) by Marlene HusterAhrenshoop Art Museum

'Absent Memories' is a master thesis by Marlene Huster in the field of architecture at the Berlin University of the Arts (DE), which deals with the disappearing cliff of Ahrenshoop. 

Marlene Huster creates a paradoxical scenario, under today's climatic conditions, of a more than 250 years lasting silting up of its architecture and its transition as a complete hollow space into the new land in front of the northern beach of the island Fischland-Darß.

Aquasphere

Photo: Nicolas Perren, 2020 
Location: Seven Seas
Coordinates: variabel 
Elevation above mean sea level: 0 mEVRS

Aquasphere (2020) by Nicolas PerrenAhrenshoop Art Museum

The water will come

Video: Long Now Foundation, Jeff Goodell, 2019 
Location: Thwaites Gletscher, Antarktic
Coordinates: 75°08’02.8”S 107°49’20.6”W 
Elevation above mean sea level: 0 mEVRS

Long Now Foundation (2019) by Jeff GoodellAhrenshoop Art Museum

The Long Now Foundation 01996 (USA) was founded with the aim of illuminating the long-term interrelationships of our culture and environment and thus establishing a counterpoint to our increasingly accelerated society.

They want to investigate and develop perspectives for the next 10'000 years. In concrete terms, the foundation is currently building a clock that will function for the next 10,000 years and is holding seminars on long-term ideas. Jeff Goodell presents his findings on the development of sea levels in his seminar "The water will come".

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