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Surface reflection

Among the mass of water lilies, you can also see the reflection of the willow trees on the surface of the pond.

Japanese influence

The bridge, which Monet designed himself, shows the influence of Japanese art on his work. This is one of 18 canvases of this view of the bridge, painted in differing light conditions.

Afternoon sun

The late afternoon sun casts a shaft of light over the bridge, illuminating the right-hand side in pale green, contrasting with the other side in a darker blue-green.

Contrasting brushstrokes

When you get up close to the painting, you can see how the longer brushstrokes of the reeds provide a contrast to the small daubs of colour of the water lilies.


Monet's water lilies were a hybrid breed, painted in pink, yellow, and white.

Red vs. green

The undersides of the water lilies were painted in a dark red, which is other side of the colour wheel to the green that dominates the painting. This contrast was in keeping with Monet's interest in complementary colours.

The Water-Lily Pond, Claude Monet, 1899

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Blending science and art

The forensic detail of Dürer's hand and eye can be seen in particular in his depiction of the hare's fur.

Painterly accuracy

Created in watercolor and gouache, this work has been regarded as a great example of observational art.

In the studio

If you look closely, you can see the artist's workshop windows reflected in the hare's eye.

Hase, Albrecht Dürer, 1502

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Explore a museum from home

The Salar Jung Museum was established in 1951. The major portion of the collection of the museum was acquired by Mir Yousuf Ali Khan, popularly known as Salar Jung III.

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Claude Monet
'The Water-Lily Pond' by Claude Monet, The National Gallery, London

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Stained glass
'The swallows' by Laboratorio Picchiarini, Musei di Villa Torlonia

Explore Monet in the museum

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See Monet's masterpieces at the Frick Collection, The National Gallery, Tokyo Fuji Art Museum, and more