313 (three one three)

Ana Fernandez re-contextualizes her San Antonio neighborhood, weaving elements of romanticism and the paranormal into large scale paintings. The architecture styles are distinct; Hasinenda's, Missions, Victorian, Classical, and Spanish colonial aesthetics create San Antonios own type of southern gothic. Each mysterious home portrait is strewn with clues that decorate each home’s exterior. These works combine familiar domestic elements with subtle, sometimes eerie, hints of the unknown, the fantastic and the supernatural. Fernandez summons the voyeur in us yet never fully reveals all of the personal secrets within each home. The title implies an address; if one could find it, they might also feel even more the voyeur, as Ana had.