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A Pier Overlooking Dordrecht

Aelbert Cuypearly 1640s

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

This luminous painting depicts Aelbert Cuyp’s native Dordrecht from the west, as seen from a pier near the village of Zwijndrecht, situated on the opposite bank of the river Maas. The three small, wooden, fishing skiffs tied up at the rough-hewn pier help give the painting its rustic charm. Across the Maas rise Dordrecht’s city walls, with the thin spire of the Groothoofdspoort, a major gateway to the inner harbor, appearing prominently at the left. Sailboats or rowboats provided constant ferry transportation across the river to Dordrecht’s neighboring villages.


Cuyp’s numerous views of river life are extremely varied and demonstrate a remarkable sensitivity to the changing light and water conditions encountered on inland waterways. He could comfortably set boats in the water, even as he visually contrasted water’s translucent and changing surface with the physical presence of heavy wooden hulls and weighty canvas sails. Cuyp’s pictorial sensitivities were also directed toward the activities of humans and animals?in and around the water; they added visual and thematic interest to the inherent beauty of his river scenes.

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  • Title: A Pier Overlooking Dordrecht
  • Creator: Aelbert Cuyp
  • Date Created: early 1640s
  • Physical Dimensions: overall: 44.5 × 75.9 cm (17 1/2 × 29 7/8 in.) framed: 63.5 × 93.66 × 4.45 cm (25 × 36 7/8 × 1 3/4 in.)
  • Provenance: (Sale, by De Vries, Roos, and Brondgeest, Amsterdam, 10-12 May 1853, 2nd day, no. 16); (Lamme).[1] Herman de Kat, Dordrecht; (his estate sale, Hôtel Drouot, Paris, 2-3 May and 7-8 May 1866, no. 17); Louis Viardot [1800-1883], Paris; (his estate sale, Hôtel Drouot, Paris, 30 April 1884, no. 2). Alfred Thieme, Leipzig, by 1889.[2] (Galerie Sedelmeyer, Paris).[3] private collection, Basel;[4] (sale, Christie, Manson & Woods, London, 30 November 1973, no. 124); (Brod Gallery, London). (Julie Kraus, Paris), in 1976.[5] private collection;[6] (sale, Christie, Manson & Woods, London, 18 April 1985, no. 2); George M. [1932-2001] and Linda H. Kaufman, Norfolk, Virginia; Kaufman Americana Foundation, Norfolk; gift 2012 to NGA. [1] This might be A.J. Lamme, an auctioneer in Rotterdam, or D.A. Lamme, an art expert in Paris. [2] Thieme lent the painting to an exhibition in 1889 in Leipzig. [3] The 1973 sale catalogue lists Sedelmeyer in the provenance, and there is a red wax seal in the bottom right corner on the reverse of the painting impressed with the words "Galerie Sedelmeyer Paris." [4] The painting is described as "the property of a Basle [_sic_] collector" in the 1973 sale catalogue. [5] This information is given in _Aelbert Cuyp_, ed. Arthur K. Wheelock, Jr., exh. cat., National Gallery of Art, Washington, D.C.; National Gallery, London; Rijksmuseum, Amsterdam, 2001-2002, New York and London, 2001: no. 8, 189. [6] The painting is described as "the property of a gentleman" in the 1985 sale catalogue.
  • Medium: oil on panel
National Gallery of Art, Washington DC

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