Description: Dated to the end of the fifth decade of the eighteenth century, this airy scene is built with assurance. The leaves of the tree on the left reflect the brightness of the sky and there are some buildings in the background, sloping down along the side of the hill that encloses the composition.
The influence of the Roman landscape painters, such as Anesi and Locatelli, and the artist’s study of Venetian painter Marco Ricci combine in this work, resulting in a refined Arcadian idyll. The skill of the artist is evident in the rendering of the figures, accurately modeled in flesh tones, and in the delicate chiaroscuro that enlivens the color range. This work was probably commissioned, along with others, directly by Cardinal Pozzobonelli, who was interested in Tuscan landscape painting, between 1747 and 1748, a date range that accords with the compositional and stylistic features of the painting.