At the same moment #11

In these images from furniture magazines of the Sixties or Seventies, I cut objects or parts of the image and overlap them. The image below emerges, fragments arranged in a single unlikely, uneven, metaphysical image. The typographic screen keeps us within the reality of the image. The cuts that open in the images are in other corners, through other doors, against other walls, towards other tables. Temporary settings that are in a new house, which embraces, together with amazement, a small vertigo, the experience of a fall. A fragment of an image becomes a starting point for another.