Athanor 31

Athanor XXXI (2013)

Kristin M. Hebert
Looking the Part: Transcending Gender in the Portraits of Agrippina the Younger

Elizabeth M. Molacek
Narcissus the Hunter in the Mosaics of Antioch

Abigail Upshaw
The Political Context of Michelangelo’s Cleopatra for Tommaso de’Cavalieri

Kira Maye
Performing for the Court: Sofonisba Anguissola’s Self-Portraits at the Easel as Court Gifts

Emily Kathleen Thames
“Les boutons de l’habit de gala de Toussaint L’Ouverture:” Questions of Authenticity, Use, and Meaning

Leslie E. Todd
Transcending the Cloistered Convent: An Examination of the Role of Secular Mural Paintings in El Carmen de la Asuncion in Cuenca, Ecuador

Samuel Dylan Ewing
Sojourner Truth’s Fugitive Images and the Disruptive Power of Circulation Anxiety

Elizabeth Saari Browne
Amateur Painting: Honore Daumier’s “Homage to Fragonard” and the Rococo

Laura Hunt
Performers or Petrushkas? The Metamorphosis of the Human Actor in Alexandra Exter’s Designs for Theater and Film

Ashley Lazevnick
The Soul in the Machine: The Case of Charles Sheeler and His Classic Landscape

Chelsea Rinehart
An Ethnography of Institutional Culture in the Photography of Candida Hofer