Attic Red-Figure Pelike, Kerch Style

Attributed to the Painter of the Wedding Processionabout 360 B.C.

The J. Paul Getty Museum

The J. Paul Getty Museum

One side of this vase shows the Judgment of Paris, a myth with a long history in Greek art. The young Trojan prince Paris sits amid three goddesses and their guide Hermes, god of travelers. Paris's task is to decide which goddess is the most beautiful: Hera, queen of the gods; Athena, goddess of wisdom; or Aphrodite, goddess of love. But this was no mere beauty contest. Paris chose Aphrodite because her bribe was the best: He could have whomever among mortal women he thought most beautiful. His choice of Helen, queen of Sparta, was the ultimate cause of the Trojan War. The other side of the vase depicts a battle of Greeks and Amazons, a favorite theme for vase painters in this period.

The bold use of color, raised relief areas, and gilding on this vase is typical of the Kerch Style of Athenian red-figure vase painting, named for an area on the Black Sea coast of southern Russia where many of these vases were found. The pelike was a favorite shape for Athenian vase painters of the 300s B.C.

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  • Title: Attic Red-Figure Pelike, Kerch Style
  • Creator: Attributed to the Painter of the Wedding Procession
  • Date: about 360 B.C.
  • Location Created: Athens, Greece
  • Physical Dimensions: 48.3 x 27.2 cm (19 x 10 11/16 in.)
  • External Link: Find out more about this object on the Museum website.
  • Medium: Terracotta; polychromy; gilding
  • Source Credit Line: The J. Paul Getty Museum, Villa Collection, Malibu, California
  • Object Type: Pelike
  • Object Status: Permanent Collection
  • Number: 83.AE.10
  • Display Location: Currently on view at: Getty Villa, Gallery 110, Stories of Trojan War
  • Department: Antiquities
  • Culture: Greek (Attic)
  • Classification: Vessels


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