The work ‘Bed sheet with number four’ is based on the sense of imprinting on a white background, as in most of the artist's works from the early 1990s that consist of compositions on a white background, but here he applies the technique of traditional painting: oil on canvas.
As early as the mid-1970s, the artist was already dealing with a gestural and instinctive painting centred on drawing, recording his emotional world and his perceptions of philosophical concepts.
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