Cahiers du cinéma n°525 - juin 1998

This issue of the French film magazine "Cahiers du cinéma" delves into a variety of topics, featuring an interview with the Podalydès brothers about their film "Dieu seul me voit," exploring its comedic style and layered storytelling. The magazine also includes a detailed look at Robert Duvall's "Le Prédicateur," examining its themes of faith and American identity. There's a focus on the Cannes Film Festival with reviews and analyses, including a strong critique of the official selection process and championing more experimental films like "Les Idiots," "The Hole" and "Les Fleurs de Shanghai". An article on the state of French cinema at Cannes discusses the challenge of finding a unique voice while navigating demands for commercial success. There's also a retrospective on Michael Powell's work, highlighting his complicated legacy and influence on the magazine itself. Other pieces include articles on the Nyon Documentary Film Festival, a report from the San Francisco Film Festival, and a deep dive into the work of Japanese director Ozu. Furthermore, the magazine explores the idea of “The gesture” in cinema when discussing Noémie Lvovsky's "Petites", and an appreciation for the gesture and physicality in film through different directors and films like those by Robert Bresson, Mikio Naruse, and John Ford. Finally, the magazine includes a guide to upcoming film festivals and television programming.