on banality - volume 1

In Breu, the recorded images present, in a non-linear assembly, the semi-artisan process of asphalting a rectangle drawn arbitrarily in the middle of a wasteland. The sound brings a circular text that abounds in adverbial phrases of manner (right and wrong, mainly), without defining any clear object. Inspired by the discourse of a patient fixed in the narrative of a history of rectitude and disarray of something she could not enunciate directly, the text constructs the discourse in an endless cycle, on which the ideas of progression and evolution do not apply.