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Gilberto Gil
June 24, 2008
By Ernest Barteldes
Virtuoso Spanish Guitar
with an all-star ensemble
Featuring special guests
Flora Purim & Airto Moreira
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Playing to a crowd mostly composed of expatriate Brazilians, Gilberto Gil
took the stage at The Nokia Theater in New York City backed by his tight
six-piece Broadband Band, which includes his son Bem Gil on guitar and
daughter Preta Gil on vocals. He chose to perform more recent
compositions (many from his latest CD, Banda Larga Cordel) instead of
digging into his Tropicalia-era catalogue. Gil immediately got everyone
moving with "Andar Com Fé," an early '80s hit with a reggae backbeat. He
also paid tribute to his bossa nova musical ancestors by playing "Formosa"
an obscure Baden Powell/Vinicius de Moraes composition included on his
new disc, and as he kicked off the first chords from "The Girl From
Ipanema," he was accompanied by a choir of four thousand strong voices.
He only looked back at his Tropicalia years once, when he played "Chiclete
Com Banana," a tune from the landmark 1968 psychedelic-fusion disc.
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"Xaxado is another part of the family of Brazilian music," he explained to the
crowd before he introduced the original "Não Grude Não, a new tune
played in the syncopated two by two beat that originates from Northeastern
Brazil, and also showcased "Nao Tenho Medo Da Morte," in which he
beautifully sings about the fact that he does not fear death itself but does
fear the moment when the dreaded event comes to happen. He also played
Bob Marley's "Everything Is Gonna Be Alright," a song that was well
received by the reggae-loving audience (who owes much to Gil - it was he
who introduced the beat to Brazil in the 70s with his remake of "No Woman
No Cry").
Another great moment from his set came with "Esperando Na Janela," a
more recent hit that became a crowd favorite once it was adopted by
restaurant performers in Brazil during the late 90s When the sona began
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