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Documentos do Arquivo Pessoal de Gilberto Gil

Instituto Gilberto Gil

Instituto Gilberto Gil
Brasil

Detalhes

  • Título: Documentos do Arquivo Pessoal de Gilberto Gil
  • Transcrição:
    Home Contact us GLOBAL RHYTHM Infinita THE DESTINATION FOR WORLD MUSIC HOME MUSIC STORE MUSIC DOWNLOADS PRINT MAGAZINE DIGITAL MAGAZINE WORLD MUSIC NEWS TOP 10 NEW RELEASES > WORLD MUSIC PROFILES Artist Features World Music Legends Reggae Legends African Legends ► REVIEWS Books LNE MUSIC EVENTS World Music Concerts World Music Festivals World Music Clubs GLOBAL LIFESTYLE Travel Food Film DVD Live Music SONG CONTEST WORLD MUSIC CD REVIEWS Africa Asia & Far East Australia & Oceania Live Reviews Gilberto Gil World Music at Global Rhythm - The Destination for World Music Celtic & Irish Electronica Europe Greater Latin America Jazz Middle East & North Africa New Age & Avant Garde North American Reggae & Caribbean South Asia World Fusion WORLD MUSIC LINKS BACK ISSUES World Music Today Live Reviews Title Genre Search: City State Country Choose Genre Choose City Choose State Choose Country Gilberto Gil June 24, 2008 By Ernest Barteldes Virtuoso Spanish Guitar with an all-star ensemble Featuring special guests Flora Purim & Airto Moreira FREE COLLECTOR'S CD PODCAST Free monthly newsletter Print Page E-mail to Friend E-mail to Editor Playing to a crowd mostly composed of expatriate Brazilians, Gilberto Gil took the stage at The Nokia Theater in New York City backed by his tight six-piece Broadband Band, which includes his son Bem Gil on guitar and daughter Preta Gil on vocals. He chose to perform more recent compositions (many from his latest CD, Banda Larga Cordel) instead of digging into his Tropicalia-era catalogue. Gil immediately got everyone moving with "Andar Com Fé," an early '80s hit with a reggae backbeat. He also paid tribute to his bossa nova musical ancestors by playing "Formosa" an obscure Baden Powell/Vinicius de Moraes composition included on his new disc, and as he kicked off the first chords from "The Girl From Ipanema," he was accompanied by a choir of four thousand strong voices. He only looked back at his Tropicalia years once, when he played "Chiclete Com Banana," a tune from the landmark 1968 psychedelic-fusion disc. SUBSCRIBE TO GLOBAL RHYTHM "Xaxado is another part of the family of Brazilian music," he explained to the crowd before he introduced the original "Não Grude Não, a new tune played in the syncopated two by two beat that originates from Northeastern Brazil, and also showcased "Nao Tenho Medo Da Morte," in which he beautifully sings about the fact that he does not fear death itself but does fear the moment when the dreaded event comes to happen. He also played Bob Marley's "Everything Is Gonna Be Alright," a song that was well received by the reggae-loving audience (who owes much to Gil - it was he who introduced the beat to Brazil in the 70s with his remake of "No Woman No Cry"). Another great moment from his set came with "Esperando Na Janela," a more recent hit that became a crowd favorite once it was adopted by restaurant performers in Brazil during the late 90s When the sona began CONTEST ABOUT GLOBALL BHYTHM SUBSCRIBE NOW GET 8 ISSUES & 8 FREE CDS SUBSCRIBE RSS RSS Feeds ADVERTISING LINKS OMIGA BUGEMBE OKERTO kiwomero emmeeme WORLD MUSIC DEBUT NOW AVAILABLE LAWSON ROLLINS Infinita www.jawsonrollins.com
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