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During the period following her miscarriage, Frida produced a lithograph entitled Frida and the Miscarriage. Only three proofs of the twelve that she originally made are still in existence; Frida herself destroyed all the others. In the left margin she wrote in English: “These proofs are not good nor bad considering your experience. Work harder and you will get better results". She portrays herself standing nude with a necklace around her neck and large tears running down her cheeks. There is a fetus in her womb and beside her, connected to her by an umbilical cord, a second fetus of a larger child. Blood runs down her leg from her vagina and seeps into the earth, nourishing it and giving life to plants in the form of a child’s eyes, hands, and genitals. The waxing moon in the sky also weeps as it gazes at Frida, who is holding a heart-shaped palette in her left hand, as though painting constituted a refuge from her lost maternity.“Many things prevented the fulfillment of the desire all consider normal,” said Frida, “and nothing seemed more normal to me than to paint what I had not achieved.” On another occasion she explained it in this way: “My painting carries within a message of pain. . . Painting completed my life. I lost three children. . . Painting replaced all of that". Frida and the Miscarriage was her only incursion into lithography. It seems the technique was complicated for her and little suited to her artistic purposes.

Details

  • Title: Frida and the Miscarriage
  • Creator: Frida Kahlo
  • Date Created: 1932
  • Title (Spanish): Frida y el aborto, Frida y el aborto
  • Signature and inscription: These proofs are not good nor bad considering your experience. Work harder and you will get better results
  • Physical Dimensions: w240 x h317 cm (without frame)
  • Painter: Frida Kahlo
  • Type: Painting
  • Rights: Banco de México Diego Rivera & Frida Kahlo Museums Trust
  • External Link: http://www.museodoloresolmedo.org.mx/coleccperm.html
  • Medium: Litograph on paper

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