Review of the exhibition Gabriel Orozco at Marian Goodman Gallery, in New York, by art critic Mónica Amor. Amor offers an analysis of a group of prints included in this exhibition, discussing the philosophical aspects of what she sees is a significant shift in Orozco’s oeuvre. Amor also relates Orozco’s photographic work to the Duchampian practice of using found objects, and to the work of Mexican photographer Manuel Alvarez Bravo.