His work has followed the path of figurative abstraction, taking elements from reality and processing them through a reinterpretation that responds to aesthetic interests that fulfill a function within the painting. Likewise, his placement within the surface is rational and orderly, until he manages to resolve the space harmonically, in a play of weights and counterweights between shapes and colors.
In Chamán alucinado (Hallucinating Shaman), the figure disappears blending into the planes of geometric sections and warm shades.
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