In the course of his life, EI Greco painted numerous versions of the Annunciation, thus allowing his stylistic development to be traced through his changing treatment of this Biblical episode. This painting, dated around 1575, is thought to be one of the last versions executed in Italy, and is clearly influenced by the Venetian style. From her prayer-stool at the left of the painting, the Virgin listens attentively to the message of the Archangel, a figure rendered very much in the style of Veronese. The light and the colouring owe much to Titian, a painter EI Greco admired, while the arrangement of the figures and the treatment of the drapery strongly recall the work of Tintoretto. Here, EI Greco places the figures within a simple architectural setting, loosely framing them to make the scene more realistic.