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La Pardon

Sergei Eisenstein

Eisensteins Universum, Film Studies, Johannes Gutenberg University Mainz

Eisensteins Universum, Film Studies, Johannes Gutenberg University Mainz
Mainz, Germany

The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”

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  • Title: La Pardon
  • Creator: Sergei Eisenstein
  • Location: Tetlapayac, Mexico
  • Physical Dimensions: 37, 5 x 21, 1
  • Provenance: The Russian State Archive for Literature and Art, Moscow
  • Medium: Ink and colored pencil on paper
Eisensteins Universum, Film Studies, Johannes Gutenberg University Mainz

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