As a founding member of the B-Cause Group (Nassau, 1991), Taylor is one of the key figures in the development of the arts in the Bahamas over the past thirty years. His influence was felt among other artists as he urged them to move away from “postcard” art. Taylor became familiar with woodcuts during brief studies at the Pratt Institute and Art Student League in New York. This work in particular echoes racial oppression and the legacies of slavery.