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Madonna and Child with Saints

Bernardo Daddi (follower of)circa 1340

New Orleans Museum of Art

New Orleans Museum of Art

The kind of Renaissance painting that has survived in the greatest numbers is the altarpiece. When comprised of four or more painted or carved panels hinged together, the altarpiece is called a polyptych, a type that became popular throughout the Italian peninsula around 1300. The central panel of a polyptych usually depicts the Virgin and Child while each of the side wings is filled with a saint, an arrangement that meets the worshipper's gaze with an impressive display of holy beings.

Included in this altarpiece are Saints Pancras, Michael, and Benedict. The painting probably came from the Rucellai family chapel of San Pancrazio, or Saint Pancras, who holds a martyr's palm. The mighty Saint Michael, whom God commissioned to expel Satan from heaven, is depicted with his shield and lance. Saint Benedict, who founded the Benedictine Order, holds an open book with an inscription referring to the Benedictine maxim "pray and work."

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  • Title: Madonna and Child with Saints
  • Creator: Bernardo Daddi (follower of)
  • Date Created: circa 1340
  • Physical Dimensions: framed: 50 5/8 x 101 3/4 in. (128.59 x 258.45 cm)
  • Provenance: The Samuel H. Kress Collection, 61.60
  • Medium: Tempera and gold leaf on panel

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