Mulher sentada 7 (Seated Woman 7)

"The prints were made concomitantly with the artist's paintings and drawings. The strong inter-relationship between the different mediums was a remarkable and permanent aspect of his work, essential to an understanding of the overall features of it. In any of the
techniques, studies based on models were intense. At this moment, there was a sequence of prints of seated women which might even configure the order of a series. Observed, one after another, it is possible to recognize in them a gradual achievement of mastery of space, especially in terms of its graphic solutions [...]. The dimensions of their designs increase in these prints, which points to the artist's mastery in embracing larger boundaries of the matrix."
Mônica Zielinsky, Iberê Camargo: catálogo raisonné (São Paulo: Cosac Naify, 2006), 48-49.