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When members of the royal family or priesthood traveled in a public festival procession or to a temple like Banteay Chhmar to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality.

This hook once supported a bronze ring from which hung a seat, like a hammock or swing. A wooden pole would have passed through the hollow socket at the top and was carried on the shoulders of bearers.

The hook segment ends in the face of a <em>garuda</em>, a man-eagle with a prominent beak, stylized wings, and feathers. Figures indicative of devotion and success, including pairs of elephants, crown the fitting.

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Details

  • Title: Palanquin Hook
  • Date Created: 1175–1230
  • Physical Dimensions: Overall: 17.4 cm (6 7/8 in.)
  • Provenance: (Spink & Son, Ltd., London, England, sold to the Cleveland Museum of Art), The Cleveland Museum of Art, Cleveland, OH
  • Type: Sculpture
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1982.12
  • Medium: bronze
  • Fun Fact: In the middle of the hook, a figure holding a sword in one hand and his extended leg in the other is in a dance pose expressing vigorous attack.
  • Department: Indian and Southeast Asian Art
  • Culture: Cambodia, Bayon style, 12th-13th century
  • Credit Line: John L. Severance Fund
  • Collection: Cambodian Art
  • Accession Number: 1982.12

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