A Chinese painter from the porcelain town of Jingdezhen has placed Rubens’ print after his altarpiece The Coup de Lance in a colourful scene. ‘Jesuit porcelain’ of this kind was very popular in Europe at that time. This example illustrates that Rubensian imagery was very quickly reproduced in the so-called ‘applied arts’. A similar plate is in the Victoria and Albert Museum, London.
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