This watercolour was
probably painted by either Cara Bray or her sister Sara Sophia Hennell. The circle
of people who gathered at Rosehill was a huge influence in Mary Ann’s life. She
spent much of her time there and created strong bonds with the Bray family. The
window scene suggests a space that was familiar, comfortable and intimate. Mary
Ann felt included, loved and supported as well as appreciated for her
intelligence and knowledge. Here she shared important conversations and ideas,
particularly on religion and social issues. At Rosehill she also developed
contacts with the wider world.