The painting on the verso of this folio is the first half of a double-page frontispiece now detached from a <em>Shah-nama</em> manuscript (see CMA 1956.10 for the second half of the frontispiece). The scene does not illustrate a narrative from the Shah-nama, but is likely a representation of the courtly audience for whose entertainment the manuscript was created. The date and style of the painting indicate that it was made during the reign of the Timurid dynasty in Shiraz, Iran.