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Sacred Eucharistic Featherwork

Anonymous1000

Museo Nacional de Arte

Museo Nacional de Arte
Mexico City, Mexico

This type of object formed part of the liturgical trappings made to deck out the altar while mass was being celebrated. The two scenes depicted on the center board —Calvary at the top, and the Last Supper in the middle— are related to the supreme Christian sacrament of the Eucharist, which explains the presence of Saint Peter and Saint Paul -pillars of the Church upon whom Christ leans for support— on the side boards. Pre-Hispanic featherwork of this kind very much impressed the Spanish missionaries, who prevented it from falling out of use, affording it a role in their evangelization drive. Hence, after the Conquest, these objects were produced in the institutions run by the religious orders, such as Saint Joseph's School for Natives, which was located in the Franciscan Convent in México City. This piece was probably taken out of México during the Viceregal period, since, being considered novel, such featherwork items were often given as presents to the Spanish court or to high-ranking ecclesiastical figures, including the Pope. Its return to México in 1992 was made possible by a donation from the National Council for Culture and the Arts (CONACULTA), and, since that year, it has formed part of the MUNAL's collection.

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  • Title: Sacred Eucharistic Featherwork
  • Creator: Anonymous
  • Creator Gender: None
  • Date Created: 1000
  • Provenance: National Council for Culture and the Arts (CONACULTA)
  • Physical Dimensions: w557 x h372 x d12 mm (complete)
  • Original Spanish object note: Este tipo de piezas formaba parte de los ornamentos litúrgicos y se hacía con el propósito de acompañar al oficiante en el altar durante la misa. Las dos escenas de la tabla central: el calvario, en la parte superior, y la última cena, en la zona central, están relacionadas con la institución de la eucaristía, máximo sacramento cristiano, por lo que se explica la presencia de san Pedro y san Pablo, pilares de la Iglesia, en los que se apoya Cristo, en las tablas laterales. La técnica prehispánica del mosaico de plumas, con la que está realizada esta obra, causó gran admiración entre los misioneros, quienes la rescataron y le dieron un nuevo impulso como instrumento en sus programas de evangelización. Así, a partir de la conquista se hicieron en instituciones que dependían de las órdenes religiosas, como la escuela de San José de los Naturales, ubicada en el convento de San Francisco de la ciudad de México. Probablemente, la pieza salió de México desde la época colonial, ya que por su rareza los objetos de plumaria eran regalos frecuentes para la corte española o los altos dignatarios eclesiásticos del viejo mundo, incluido el Papa. Su repatriación en 1992 fue posible gracias a una donación del Consejo Nacional para la Cultura y las Artes y forma parte de la colección del MUNAL desde aquel año.
  • Original title: Sacra plumaria de la Eucaristía
  • Type: Featherwork
  • Rights: Museo Nacional de Arte, INBA, http://www.munal.com.mx/rights.html
  • Medium: Mosaic of feathers on wood, with silver trimmings
Museo Nacional de Arte

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