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Shawl (Kashmiri and Suzni Embroidery)

late 19th century CE

Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS)

Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS)
Mumbai, India

This beautifully embroidered shawl is a combination of Kashmiri and Suzni embroidery. By the mid-19th century in Kashmir the embroiderer’s art had reached its zenith. Here, fine embroidery is known by the Farsi word suzani, which is a generic term for embroidery. Suzani which has developed an extensive and diverse design repertoire that utilizes a variety of stitches including darning and double-darning stitches, running, buttonhole, stem, satin, herringbone, knot, and couching. There are two features that set Kashmiri embroidery apart from other embroidery traditions – one is the imitation kani stitch, a stem stitch reinforced by a very fine couching stitch; this is known as the suzani stitch. The other is the use of scissors to cut the loose threads from the back of the fabric so that there are no floats visible on the reverse.

For most embroidered shawls the designs are block-printed onto the fabric using intricately carved walnut-wood blocks. The embroidery on this shawl is worked on a cream background in deep shades of red, pink, blue, yellow, green, and brown. The pallav is very narrow and the entire body of the shawl is worked with scrolling vines that meander diagonally across the surface from which emerge small butas, flowering plants, and leaves.

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  • Title: Shawl (Kashmiri and Suzni Embroidery)
  • Date Created: late 19th century CE
  • Location: India
  • Provenance: Sir Ratan Tata Art Collection
  • Type: Shawl
  • Medium: Pashmina Wool with silk threads
  • Region: Kashmir
  • History of Style of Technique: In Indian textile tradition, pashmina shawls from Kashmir hold a pride place. They were made of wool from a special breed of goat called pashm. A single shawl was a result of the collective eff orts of spinners, dyers, designers, weavers and embroiders. The designs composed of buta, badami (almond), ambi or kairi (paisely), meander and fl ora, khat-rast (stripes) and shikargah (hunting) motifs. The craft of making the woollen shawls received immense patronage from Mughal emperors. As mentioned in the Ain-i-Akbari, Emperor Akbar gave these shawls the name param naram meaning very soft. It was a special prerogative of the royal to wear such shawls. Others could wear it only if it was presented by the ruler or permitted by him. In the 17th and the 18th centuries, both embroidered and woven shawls from Kashmir were in great demand by the Europeans and by affl uent families in India. In the 20th century these shawls were considered a signifi cant gift at the time of weddings in particular by Parsis. Apart from shawls, doshalas (shoulder mantle), patkas (sash or kamarbandha), rumals (square shawls), jamewars (garment piece to stitch jama) were also made.
  • Accession Number: 22.3138
Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS)

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