Slow, Same, Slow, #6302, #6304, #6306

The artistic endeavors of MOON Beom (1955 -) can be divided largely into three phases: drawings of everyday objects such as dried pollack and apples rooted in Minimalism in the 1970s; the amalgamation of pictorial surfaces with traces of the brush and objects in the 1980s; in the 1990s the use of altered canvases, oil stick paintings, and monochromatic picture planes by the use of automotive paint. Made with industrial automotive paint and a compressor, this work here delivers the vestiges of time obtained by putting physical force to not-yet-dried paint.