Throughout his long career, Edmondson stubbornly resisted modernist styles and proudly proclaimed himself a traditionalist. He felt that artists should paint what they see, and once declared, "When painting a portrait, I do not indulge in this ‘painting of the soul’ stuff. When some artists fail to get a likeness of a person they say they have not tried to paint him, but have painted his soul." The sitter in <em>The Blue Feather</em> was Edmondson's student, Caroline Mytinger, who often modeled for him. Later a portraitist in her own right, she traveled to New Guinea and the Solomon Islands to record its indigenous people.