The Incredulity of Thomas (recto); Study for the Figure of Thomas (verso) (Main View)

Pellegrino Tibaldi

The J. Paul Getty Museum

The J. Paul Getty Museum
Los Angeles, United States

Saint Thomas, one of Jesus' disciples, was not present when the resurrected Christ first appeared to his disciples. Until he had seen for himself the wounds of Jesus' Crucifixion, Thomas refused to believe in the Resurrection. When Jesus appeared again, he instructed Thomas to touch the nail holes in his hands and feel the gash in his side. Finally, "Doubting Thomas" believed.

In this composition, a heroic Christ strides forward confidently, cape billowing and surrounded by a radiant glow. Pellegrino Tibaldi characteristically used a nervously energetic line and treated the disciples' hair as if composed of small ringlets. His Mannerist tendencies led him to fill the sheet almost to overflowing with his swelling figures. Taking inspiration from Michelangelo's massive forms, Tibaldi gave the figures muscularity, vitality, and heavy limbs. His profuse white heightening gives this drawing the feel of a painting.

On the verso, Tibaldi made a study for the figure of Thomas.


  • Title: The Incredulity of Thomas (recto); Study for the Figure of Thomas (verso) (Main View)
  • Creator: Pellegrino Tibaldi
  • Date Created: about 1565–1585
  • Location Created: Italy
  • Physical Dimensions: 28.1 × 27.3 cm (11 1/16 × 10 3/4 in.)
  • Type: Drawing
  • External Link: Find out more about this object on the Museum website.
  • Medium: Pen and brown ink and brown wash, heightened with white bodycolor, over black chalk (recto); pen and brown ink (verso)
  • Terms of Use: Open Content
  • Number: 96.GB.318
  • Culture: Italian
  • Credit Line: The J. Paul Getty Museum, Los Angeles
  • Creator Display Name: Pellegrino Tibaldi (Italian (Bolognese), 1527 - 1596)
  • Classification: Drawings (Visual Works)

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