The second bedroom on the first floor preserves its original Provençal decor. It owes its name to the rosepatterned paper that once adorned all of the walls, a trace of which survives today in the curtains. Far removed from the aristocratic taste of the other bedroom, it has a domestic character that attests to functional use rather than display. It appears in fact that Cerruti was in the habit during weekends of taking a quick afternoon nap on the bed of wrought iron rather than the precious one in his mother’s room or the more austere one in the tower bedroom.
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