This demonstration of parental discipline of the Merovingian period remains shocking more than a century after its completion. It says much for the grotes-query of nineteenth-century Salon painting, of which it is so spectacular an example, that 'The sons of Clovis II' is still a collection favourite. Alarmed by her sons' rebellion against their absent father, King Clovis, their mother - the regent Sainte Bathilde - has their tendons cut before sending them, immobilised, downstream on a barge to their fate. Though Luminais foreshadows the salvation of the malefactors in the distant shape of a Benedictine monastery, he is clearly more concerned with their present gruesome predicament. His great success with this painting in the Paris Salon of 1880 was not repeated, its cadaverous sensationalism proving a hard act to follow.

AGNSW Handbook, 1999.


  • Title: The sons of Clovis II
  • Creator: Évariste Luminais
  • Date Created: 1880
  • Physical Dimensions: 190.7 x 275.8 cm stretcher; 218.8 x 335.0 x 8.5 cm frame
  • Provenance: Source unknown, Paris/France, Purchased by the AGNSW in Paris 1886
  • Type: Painting
  • Rights: Purchased 1886
  • Medium: oil on canvas
  • Signature & Date: Signed l.l., brown oil "E. Luminais [underlined]". Not dated.
  • Object Other Titles: The sons of Clovis
  • Object Alternate Title: Les enervés de Jumièges
  • Artist Country: France

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