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The Stag Hunt of the Elector Frederic the Wise (1463-1525) of Saxony

Lucas Cranach the ElderAfter 1529

SMK - Statens Museum for Kunst

SMK - Statens Museum for Kunst
Copenhagen, Denmark

The hunting scene is one of the paintings Cranach executed to document the important "sports" events of the aristocracy, for instance tournaments or, as here, hunting. The idea was to document the occasion as a memorable historical event. There are several similar pictures of the hunt by Cranach in which the most important participants can be identified and where a castle in the background typically indicates where the hunt took place. However, that is not the case here. Neither the participants nor the venue can be determined with certainty. It might be possible to see the Copenhagen picture as a provisional schemata for these hunting scenes, all of which are made to the same pattern. So in subsequent variants the workshop could add the relevant figures’ "masks" as needed. In the case of all the variants, however, an obvious question has to be asked, for the pictures are surprisingly unrealistic in tone, seeming almost naïve in their schematic treatment of landscape and figures. In this, they certainly represent a striking contrast especially to Cranach’s famed skill as an animal painter and his supremely convincing landscape paintings from the time of the Danube School. Why did he insist on this unrealistic, schematic, strip-cartoon-like character? Probably for the same reason as applied to the other late pictures discussed here. The Protestant Electors’ official pictures had to live up to the new understanding of the image, which demanded just this sign character and the precisely expressed meaning of the picture. The hunt scenes were memory images, which were not to seduce the viewer into thinking they were anything but images. They were simply to refer to the specific hunt and to show the special conditions under which it had taken place and to indicate the important participants. For this latter purpose, use was made of the templates, the "masks", from the many earlier official portraits. It is for this reason that it is possible to identify them so precisely.

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  • Title: The Stag Hunt of the Elector Frederic the Wise (1463-1525) of Saxony
  • Creator: Lucas Cranach the Elder
  • Creator Lifespan: About 1472 Kronach - 1553 Weimar
  • Creator Nationality: German
  • Creator Gender: Male
  • Creator Death Place: Weimar
  • Creator Birth Place: Kronach
  • Date Created: After 1529
  • Værktekst: Jagtscenen er et af de reportagebilleder, Cranach udførte i forbindelse med adelens vigtige "sportsbegivenheder", turneringer fx, eller som her jagter. Ideen var at dokumentere begivenheden som mindeværdig historie. Der findes adskillige tilsvarende jagtbilleder af Cranach, hvor de vigtigste deltagere i jagten kan identificeres, og hvor typisk et slot i baggrunden angiver, hvor jagten fandt sted. Dette er imidlertid ikke tilfældet her. Hverken deltagerne eller stedet kan præciseres. Man kan eventuelt se Københavnbilledet som en foreløbig matrice for disse jagtbilleder, der alle er lavet over samme skema. Værkstedet kunne så i de efterfølgende varianter føje de relevante personers "masker" til, alt efter behov. For alle varianters vedkommende rejser sig imidlertid et oplagt spørgsmål. Billederne er nemlig overraskende urealistisk betonede. De virker nærmest naive i deres skematiske håndtering af landskab og personer - især i betragtning af Cranachs berømmelse som dyremaler og hans suverænt overbevisende landskabsmaleri fra Donauskole-tiden. Hvorfor insisterede Cranach på dette urealistiske, skematiske, tegneserieagtige præg? Sandsynligvis af samme grund, som gjaldt for de øvrige omtalte sene billeder. De protestantiske kurfyrsters officielle billeder måtte leve op til den nye billedforståelse, der jo netop påkrævede billedets tegnkarakter og dets betydningmæssige præcision. Jagtbillederne var erindringsbilleder, der ikke skulle forføre betragteren til at tro andet, end at de var billeder. De skulle blot henvise til den bestemte jagt, angive de særlige forhold, den var foregået under, og dens vigtige deltagere. Til det sidste anvendtes skemaerne, "maskerne", fra de mange tidligere, officielle portrætter. Derfor kan de identificeres så præcist.
  • Teknik: Olie på træ
  • Proveniens: Erhvervet før 1737
  • Provenance: Acquired before 1737
  • Physical Dimensions: w80.5 x h56.5 cm (Without frame)
  • Dansk link: http://www.smk.dk/index.php?id=2909
  • Dansk Titel: Kurfyrst Frederik den Vise (1463-1525) af Sachsen's jagt
  • Type: Painting
  • Rights: Statens Museum for Kunst, http://www.smk.dk/en/copyright/creative-commons/
  • Medium: Oil on panel
SMK - Statens Museum for Kunst

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