One hundred years after the Eight Immortals first emerged on Yuan longquan ware, the motif regained its popularity during the Ming. Most of these figures were placed in a landscape or beside mythological elements. In this case they are simplified to just individuals, a striking contrast to the usual fussy decorative schemes. The complex brushwork, with varied lines and washes, created a three-dimensional effect on figures. The creamy, dull glaze indicates that this work was not made at an imperial workshop. The simpler design on a plain white ground was typical of the late Ming style.