In art, the process of decline of power and prestige of the Nasca in the southern coast, which began about 600 AD, is represented for the most part by heavily decorated ceramics and weavings, probably made in the coast, that incorporated elements from the Andean styles, anticipating the arrival of the Huari influence in the region. Thus, these pieces show a new style characterized by geometric designs made of llama wool, while others depict representations of stylized felines and other hybrid creatures. Because of its large format this ceremonial tunic was probably not used in life, but rather as an accompaniment in the transition to the afterlife. (CP)
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