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Venice

NICOLAE DĂRĂSCUcca. 1925

Brukenthal National Museum

Brukenthal National Museum
Sibiu, Romania

The 1909 trip to Venice definitely established the aspect of his creation. The light and the colours of Venice, the pleasure of capturing the movement of the sea, the solar joy of the landscape, make him one of the most fervent Romanian artists to paint this magnificent Italian city. Works like Venice, in our collection, bring a new, unique vision flooded by light and colour, to Romanian art. The artist is not interested in the picturesque sights, but in the evocative capacity of the colours. The atmosphere of the paintings is built and defined by chromatic strokes. He reduces his palette and uses pure hues in “brush-to-brush” strokes, superposing touches of different lengths in order to enhance the artistic expression. In this world of fluidity and lustre, Dărăscu knows how to find and keep the coherence of shape, expressing it in rough deep contours.

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  • Title: Venice
  • Creator: NICOLAE DĂRĂSCU
  • Date: cca. 1925
  • Physical Dimensions: w50 x h61 cm (Without frame)
  • Artist Biography: Landscape artist by nature and by formation, Nicolae Dărăscu joins the artists whose existence unfolds in the rhythm of the voyages they take. He traveled to France and Italy, but also England and Spain and had a few favorite and inspiring destinations in Romania: Bucharest, Vlaici (the estate of the famous art collector Alexandru Bogdan-Pitești), Balcic, Mangalia, Tulcea. He spent four years at the Academy of Fine Arts in Bucharest (1902–1904) and then he familiarized himself with the artistic life of the capital, where Luchian, Petrașcu and Grigorescu often displayed their creations. In 1906 a grant he received allowed him to go to Paris and study at the Julian Academy and at the Academy of Fine Arts. In 1908 he traveled to Toulon and St. Tropez, in the south of France, where Paul Signac had settled. The influence of Paul Signac is evident in the divided strokes which the Romanian artist will resort to in his paintings. He reads Signac’s book From Delacroix to Neo-impressionism, and then dedicates his time reading the texts written by Chevreul and d’Helmholz on the laws of optics which govern the relationship between colors. His first exhibition, in 1913, proves him a master of the technique of fragmented strokes.
  • Provenance: Brukenthal National Museum
  • Type: Painting
  • Medium: oil on canvas
Brukenthal National Museum

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