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Willem Coymans

Frans Hals1645

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

The crest bearing three cows’ heads, visible on the wall behind the sitter, indicates that this young man is a member of the prosperous Coymans family of Haarlem. The cows’ heads refer directly to the Dutch family name, which translates as "cow man." Archival and genealogical information, combined with the Latin inscription "AETA SVAE.22 / 1645" below the shield, identifies the sitter as Willem Coymans, who was twenty-two years old in 1645. The few paintings dated by Frans Hals tend to also provide the subjects’ ages, thus serving as genealogies. In addition to this likeness of Willem, Hals painted the portraits of at least four other members of the Coymans family.


Hals was the preeminent portrait painter in Haarlem, the most important artistic center of Holland in the early part of the seventeenth century. He was famous for his uncanny ability to portray his subjects with relatively few bold brushstrokes, and often used informal poses to enliven his portraits. Here, Willem Coymans is informally seated in a chair, with one arm hooked casually over its back to enhance the lifelike quality of his portrait. Coymans, resplendent in his elegant clothes, sports a brocaded jacket with slit sleeves over a pleated white shirt. The dazzling brushwork so typical of Hals is especially evident in the gold embroidery and the crispness of the sleeve. The pom-pom on his hat, pushed forward at a rakish angle, and the oversized collar of his shirt mark Willem as a dandy.

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  • Title: Willem Coymans
  • Creator: Frans Hals
  • Date Created: 1645
  • Physical Dimensions: overall: 77 x 64 cm (30 5/16 x 25 3/16 in.) framed: 105.4 x 92.1 x 10.8 cm (41 1/2 x 36 1/4 x 4 1/4 in.)
  • Provenance: Coymans family, Haarlem. Mrs. Frederick Wollaston, London. (Sedelmeyer Gallery, Paris), before 1894; Rodolphe Kann [d. 1905], Paris, by 1897; purchased 1907 with the entire Kann collection by (Duveen Brothers, Inc., London, New York, and Paris); sold to Arabella D. [Mrs. Collis P.] Huntington [c. 1850-1924], New York; by inheritance to her son, Archer M. Huntington [1870-1955], New York; purchased 17 May 1928 by (Duveen Brothers, Inc.);[1] sold 7 May 1929 to Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 28 December 1934 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA. [1] Duveen Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los Angeles: reel 322, box 467, folder 2 (copies in NGA curatorial files).
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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