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Wine Ewer with Incised Scroll Design

1100s

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Many celadon ceramics, such as these two miniature pots, have been repaired with gold lacquer. Termed <em>kintsugi </em>(literally meaning “gold joinery”) in Japanese, this restoration method highlights broken parts with glittering gold mixed with lacquer. Initiated in 15th-century Japan, the technique follows a popular aesthetic concept called <em>wabi-sabi, </em>which finds beauty in imperfect things. Goryeo celadons were considered rare treasures among early 20th-century Japanese collectors; thus, their broken condition is brilliantly highlighted in gold lacquer, as seen here in the repaired spouts, handle, and lid.

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  • Title: Wine Ewer with Incised Scroll Design
  • Date Created: 1100s
  • Physical Dimensions: Outer diameter: 7.2 cm (2 13/16 in.); Overall: 4.2 cm (1 5/8 in.)
  • Provenance: (Dr. A. I. Ludlow [1875-1961], Cleveland, OH, sold to John L. Severance), John L. Severance [1863-1936], Cleveland, OH, given to the Cleveland Museum of Art, The Cleveland Museum of Art, Cleveland, OH
  • Type: Ceramic
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1928.172
  • Medium: celadon with incised and carved design
  • Original Title: 청자 음각 당초무늬 주전자 (靑磁陰刻唐草文注子)
  • Fun Fact: Termed <em>kintsugi</em> (literally meaning “gold joinery”) in Japanese, this method of repairing broken parts with glittering gold mixed with lacquer was extensively used for ceramic works in the Goryeo period, such as this one.
  • Department: Korean Art
  • Culture: Korea, Goryeo period (918-1392)
  • Credit Line: Gift of John L. Severance
  • Collection: Korean Art
  • Accession Number: 1928.172
The Cleveland Museum of Art

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