Eduardo Arroyo Rodríguez was a Spanish painter and graphic artist. He was also active as an author and set designer.
Arroyo, who was born in Madrid, studied art in his home city, but left Spain in 1958 because of his basic contempt for Francoist Spain, came to terms with Francisco Franco in his old age, Arroyo later described him as a "whore" and even lost his Spanish citizenship in 1974. In Paris, he befriended members of the young art scene, especially Gilles Aillaud, with whom he later collaborated in creating stage sets, such as Vivre et laisser mourir ou la fin tragique de Marcel Duchamp, a work in eight pieces intended to criticize the contemporary French art. He also befriended the old master, Joan Miró. In 1964, he made his breakthrough with his first important exhibition. Over 20 years of great critical success and high esteem on the art market followed. In his old age, the ideologically and creatively uncompromising artist was as active as ever, even if it had seemed to have become somewhat quieter around his creations.
Arroyo, who was born in Madrid, studied art in his home city, but left Spain in 1958 because of his basic contempt for Francoist Spain, came to terms with Francisco Franco in his old age, Arroyo later described him as a "whore" and even lost his Spanish citizenship in 1974. In Paris, he befriended members of the young art scene, especially Gilles Aillaud, with whom he later collaborated in creating stage sets, such as Vivre et laisser mourir ou la fin tragique de Marcel Duchamp, a work in eight pieces intended to criticize the contemporary French art. He also befriended the old master, Joan Miró. In 1964, he made his breakthrough with his first important exhibition. Over 20 years of great critical success and high esteem on the art market followed. In his old age, the ideologically and creatively uncompromising artist was as active as ever, even if it had seemed to have become somewhat quieter around his creations.
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