The fourth and final installment in the collection-driven series that pairs photography with other creative domains, Material Meanings brings 30 outstanding works to Chicago for the first public showing of the private collection of Constance R. Caplan.

A resident of Baltimore, Caplan has been a keen student and steward of modern and contemporary art for more than 30 years, taking classes in art history and serving on and leading major museum boards—all in the service of art and the public trust. Her choices in 20th-century decorative arts, photography, and, above all, painting and sculpture, make an exquisite whole. Caplan is drawn to works with great presence, as she discusses in a conversation published in the accompanying exhibition catalogue; she is also moved by art that tells us something new about history and our perceptions of the world. Speaking admiringly of postwar European artists such as painter and sculptor Lucio Fontana and abstractionist Blinky Palermo, she confesses, “I just wanted to understand: what were they doing? They were dealing with materials that were on the streets, and I don’t think anybody thinks that what they did then was pretty. It wasn’t pretty. It was what they could find and what they were thinking about in the aftermath of war.”