Colombia is rich in its topographical configuration and in the Collection of the Museum of Contemporary Art have works that allow to expand the concept of landscape from the conceptual to the stylistic.
Marco Ospina was the first Colombian artist to introduce abstraction in his works, this savanna landscape is an example of the symbiosis between a synthesized trees and a naturalist background.
A pool of standing water can also be the pretext for a landscape.
The unknown rainforest is expressed symbolically and dreamlike way in the Jacanamijoy´s work.
Exuberance of our flora and chromatic possibilities are present in the work of Mabel Rivera.
Another way to approach the landscape, where the protagonist is the color.
To see the detail of the work of Luz Helena Caballero, we are building a solid compositional derived from natural forms.
Frailejón is the king of the Colombian wilderness; Walking in its entirety this work Juanita Richter glazed ceramic.
Capturing the landscape is not only used colors, the main thing is the atmosphere and this is achieved masterfully Zambrano Molina.
Landscape packaging? there are two questions, plastic protects? or contaminates? This duality is characteristic of the conceptual work of Raul Marroquin.
With broad and gestural strokes, Loochkartt shows a landscape affected by personal experience.
The landscape lies in our mind, so TOT plays with his strokes, gestures and spray.
Colombian rural zócalos homes, full of geometry and vibrant colors, are proposed for Ana Duran.
The inner urban is also full of suggestions and dialogues landscape.
Various urban elements assembled, are the proposal of another town landscape.
Investigación sobre las apropiaciones contemporáneas del paisaje en Colombia. Curaduría: Gustavo A. Ortiz.
Texts and selection: Gustavo A. Ortiz
Credits: All media
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