GIARDINI - Central Pavilion

Paolo Baratta - President of la Biennale di Veneziala Biennale di Venezia - Biennale Arte 2015

PAOLO BARATTA - President of la Biennale di Venezia

We celebrate this year the 120th anniversary of the first Art Exhibition (1895). The International Exhibition curated by Okwui Enwezor expands from the Central Pavilion at the Giardini to the Arsenale, and to external areas. 89 partecipating countries (58 un 1997), 29 in the historic pavilions in the Giardini, 31 in the spaces dedicated to the countries within the Arsenale (where restoration work continues on 16th century buildings), and the rest in other buildings in Venice. 44 Collateral Events presented by non-profit organisations and admitted by our curator. The Biennale moves forward and builds on its own history, which is formed of many memories but, in particular, a long succession of different perspectives from which to observe the phenomenon of contemporary artistic creation. Curiger, Gioni, Enwezor: three chapters in a research process engaged by la Biennale to explore the benchmarks that can help us formulate aesthetic judgments on contemporary art, a critical question following the demise of the avant-gardes and non-art. Okwui does not claim to pass judgment, his wish is to bring together arts and artists from throughout the world and from different disciplines, to instate a Parliament of Forms, as it were. 136 artists, of which 89 for the first time, from 53 countries, many of them from geographical areas that we paradoxically insist on defining as peripheral. 159 works on display are expressly realized for this year edition. In the more intimate Biennales as in the ones that more dramatically draw in history, what is important is that the Exhibition must always be seen as a venue for free and indipendent dialogue.

Okwui Enwezor - Curator of the 56th International Art Exhibitonla Biennale di Venezia - Biennale Arte 2015

OKWUI ENWEZOR - Curator of the 56th International Art Exhibition

Rather than one overarching theme that gathers and encapsulates diverse forms and pratices into one unified field of vision, All the World's Futures is informed by a layer of three intersecting Filters, namely; Garden of Disorder, Liveness: On Epic Duration, and Reading Capital. Questi The three Filters represent a constellation of parameters, which will be touched upon in order to imagine and realize a diversity of pratices. In 2015, the 56th International Art Exhibition, La Biennale di Venezia will employ the historical trajectory of the Biennale itself, one that I have so far sketched out as a Filter through which to scan the latent historical body of the event. The goal of three Filters is to describe both the current state of things and the appearance of things. With each Filter superimposed on the other, the 56th International Art Exhibition will delve into the contemporary global reality as one of the constant realignment, adjustment, recalibration, motility, and shape-shifting. It will play host to what could be described as a Parliament of Forms whose orchestration and episodic unfolding will be broadly global in scope. At the core of the project is the notion of the exhibition as stage where historical and counter-historical projects will be explored. These projects, works, and voices, like an orchestra will occupy the spaces of the Biennale and pre-occupy the time and thinking of the public.

Central Pavilion - Room 1la Biennale di Venezia - Biennale Arte 2015

Room 1

The End (1966) by Fabio Maurila Biennale di Venezia - Biennale Arte 2015

Fabio Mauri
Schermo fine , 1966
letraset on paper

Leo Castelli (1974) by Fabio Maurila Biennale di Venezia - Biennale Arte 2015

Fabio Mauri
Leo Castelli, 1974
silkscreen

Installation View (1965/1994) by Fabio Maurila Biennale di Venezia - Biennale Arte 2015

Fabio Mauri
Schermo fine , 1965
mixed media on paper

Fine – Ricami , 1994
embroidery

Disegno , no date
painting on canvas

Disegno fine , 1985
painting on canvas

Il Muro Occidentale o del Pianto, Fabio Mauri, 1993, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Macchina per fissare acquerelli, Fabio Mauri, 2007, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Installation View (1959/1994) by Fabio Maurila Biennale di Venezia - Biennale Arte 2015

Fabio Mauri
Disegno , 1985
painting on canvas

Disegno , no date
painting on canvas

Disegno , no date
painting on canvas

The End , 1959
collage and oil on paper

The End – Ricami , 1994
embroidery

L’Homme qui tousse (1969) by Christian Boltanskila Biennale di Venezia - Biennale Arte 2015

Room 2 - Christian Boltanski

L'Homme qui tousse, 1969 - 16mm film, color, sound (3’)

Following the Light of the Sun, I Only Discovered the Ground (2012/2014) by Runo Lagomarsinola Biennale di Venezia - Biennale Arte 2015

Room 2a - Runo Lagomarsino

Following the Light of the Sun, I Only Discovered the Ground, 2012–2014 - dia projection with sound and framed stamp

Following the Light of the Sun, I Only Discovered the Ground (2012/2014) by Runo Lagomarsinola Biennale di Venezia - Biennale Arte 2015

Runo Lagomarsino
Following the Light of the Sun, I Only Discovered the Ground, 2012-2014
dia projection with sound and framed stamp

Following the Light of the Sun, I Only Discovered the Ground, Runo Lagomarsino, 2012/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Following the Light of the Sun, I Only Discovered the Ground, Runo Lagomarsino, 2012/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Following the Light of the Sun, I Only Discovered the Ground, Runo Lagomarsino, 2012/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Following the Light of the Sun, I Only Discovered the Ground, Runo Lagomarsino, 2012/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Following the Light of the Sun, I Only Discovered the Ground, Runo Lagomarsino, 2012/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Following the Light of the Sun, I Only Discovered the Ground, Runo Lagomarsino, 2012/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Following the Light of the Sun, I Only Discovered the Ground, Runo Lagomarsino, 2012/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Following the Light of the Sun, I Only Discovered the Ground (2012/2014) by Runo Lagomarsinola Biennale di Venezia - Biennale Arte 2015

Runo Lagomarsino
Following the Light of the Sun, I Only Discovered the Ground, 2012-2014
dia projection with sound and framed stamp

Following the Light of the Sun, I Only Discovered the Ground (2012/2014) by Runo Lagomarsinola Biennale di Venezia - Biennale Arte 2015

Runo Lagomarsino
Following the Light of the Sun, I Only Discovered the Ground, 2012-2014
dia projection with sound and framed stamp

Last Man in Dhaka Central (The Young Man Was, Part 3) (2015) by Naeem Mohaiemenla Biennale di Venezia - Biennale Arte 2015

Room 3 - Naeem Mohaiemen

Last Man in Dhaka Central (The Young Man Was, Part 3), 2015 - two-channel video installation, sound, color (82' and 17”)

Biennale Arte 2015 - Naeem Mohaiemen: Last Man in Dhaka Central (excerpt)la Biennale di Venezia - Biennale Arte 2015

Naeem Mohaiemen
Last Man in Dhaka Central (The young man was, Part 3), 2015.
two-channel video installation, sound, color (82' and 17”)
courtesy the artist and Experimenter

In his Dutch flat, Peter underlined and drew exclamation marks on Abu Yusuf Khan’s post mortem (the body is cold) of the November 7th, 1975 soldier’s mutiny. The headlines read: ‘Zia embraced Taher and said “You have saved my life”’; ‘The Officers were frightened and fled Cantonment’; ‘In spite of precautions Taher was seized’; ‘Sirajul Alam Khan had acquired an image for himself’; ‘Why November 7th uprising failed’ (2014) by Naeem Mohaiemenla Biennale di Venezia - Biennale Arte 2015

Naeem Mohaiemen
In his Dutch flat, Peter underlined and drew exclamation marks on Abu Yusuf Khan’s post mortem (the body is cold) of the November 7th, 1975 soldier’s mutiny. The headlines read: ‘Zia embraced Taher and said “You have saved my life”’; ‘The Officers were frightened and fled Cantonment’; ‘In spite of precautions Taher was seized’; ‘Sirajul Alam Khan had acquired an image for himself’; ‘Why November 7th uprising failed’, 2014
five archival prints on rice paper

Giving Birth (2015) by Fatou Kandé Senghorla Biennale di Venezia - Biennale Arte 2015

Room 4 - Fatou Kandé Senghor

Giving Birth, 2015 - video, color, sound (30’)

Giving Birth (2015) by Fatou Kandé Senghorla Biennale di Venezia - Biennale Arte 2015

Fatou Kandé Senghor
Giving Birth, 2015
video, color, sound (30') - still

Room 5la Biennale di Venezia - Biennale Arte 2015

Room 5

Installation View (1969/1971) by Roberth Smithsonla Biennale di Venezia - Biennale Arte 2015

Roberth Smithson
Ashpalt on eroded cliff, 1969
ink and colored chalk on paper

Floating Island – Barge to Travel Around Manhatten Island, 1971
graphite on paper

The Hypothetical Continent of Lemura, 1969
brown ink, crayon, graphite and collage on paper

Island Project, 1970
pencil on paper

Dead Tree (1969) by Robert Smithsonla Biennale di Venezia - Biennale Arte 2015

Robert Smithson
Dead Tree, 1969
installation dimensions variable

Four Date Drawings (2011) by Runo Lagomarsinola Biennale di Venezia - Biennale Arte 2015

Runo Lagomarsino
Four Date Drawings , 2011
sundrawings and metal structure

La Muralla Azul, Runo Lagomarsino, 2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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La Muralla Azul, Runo Lagomarsino, 2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Swamp (1971) by Nancy Holt & Robert Smithsonla Biennale di Venezia - Biennale Arte 2015

Nancy Holt & Robert Smithson
Swamp, 1971
16mm film transferred to video, color, sound (6’)

Untitled (TI3) (2015) by Daniel Boydla Biennale di Venezia - Biennale Arte 2015

Daniel Boyd
Untitled (TI3), 2015
oil, charcoal and archival glue on polyester

Untitled (TI4) (2015) by Daniel Boydla Biennale di Venezia - Biennale Arte 2015

Daniel Boyd
Untitled (TI4), 2015
oil, charcoal and archival glue on polyester

Untitled, 14, 15.04.1974 (1974) by Teresa Burgala Biennale di Venezia - Biennale Arte 2015

Teresa Burga
Untitled, 14, 15.04.1974
Series of 13 drawings, ink on paper

Teresa Burga
Untitled, 14, 15.04.1974
Series of 13 drawings, ink on paper

Teresa Burga
Untitled, 14, 15.04.1974
Series of 13 drawings, ink on paper

Installation View (2013) by Walead Beshtyla Biennale di Venezia - Biennale Arte 2015

Room 6 - Giardino Scarpa

Walead Beshty, installation view

La Ciudad en Llamas (February 17 – March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico) (2015) by Walead Beshtyla Biennale di Venezia - Biennale Arte 2015

Walead Beshty
La Ciudad en Llamas (February 17 – March 1, 2015: Cerámica Suro Contemporánea, Guadalajara, Jalisco, Mexico), 2015
Ceramica Suro slip cast remnants, glaze, and firing plate

Room 8la Biennale di Venezia - Biennale Arte 2015

Room 8

Installation View, Inji Efflatoun, 1962/1975, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Workers, Inji Efflatoun, 1975, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Installation View, Inji Efflatoun, 1950/1986, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Rude Rocks N.1 (from the series Rude Rocks) and The Victory Atlas series (2012/2015) by Elena Damianila Biennale di Venezia - Biennale Arte 2015

Elena Damiani
Rude Rocks N.1, 2015
hand carved and polished travertine, copper, stainless steel

The Victory Atlas Series, 2012-2013
collage on found map and Kawanaka paper

Rude Rocks N.2 and Rude Rocks N.3 (from the series Rude Rocks), Elena Damiani, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Rude Rocks N.4 (Turrón after Bratke) - (dalla serie / from the series Rude Rocks), Elena Damiani, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Nachrichten aus der ideologischen Antike, Marx, Eisenstein – Das Kapital (2008/2015) by Alexander Klugela Biennale di Venezia - Biennale Arte 2015

Room 9

Nachrichten aus der ideologischen Antike, Marx, Eisenstein – Das Kapital (2008/2015) by Alexander Klugela Biennale di Venezia - Biennale Arte 2015

Alexander Kluge
Nachrichten aus der ideologischen Antike, Marx, Eisenstein – Das Kapital , 2008–2015
three-channel video installation, color, sound (90’, 180’, 90’)

Biennale Arte 2015 - Alexander Kluge: Nachrichten aus der ideologischen, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Biennale Arte 2015 - Alexander Kluge: Nachrichten (2), From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Biennale Arte 2015 - Alexander Kluge (3), From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Roof Off (2015) by Thomas Hirschhornla Biennale di Venezia - Biennale Arte 2015

Room 10

Thomas Hirschhorn
Roof Off, 2015
site specific installation

Thomas Hirschhorn
Roof Off, 2015
site specific installation

Thomas Hirschhorn
Roof Off, 2015
site specific installation

Nyau Cinema (2012/2015) by Samson Kambalula Biennale di Venezia - Biennale Arte 2015

Room 11 - Samson Kambalu

Nyau Cinema, 2012–2015 - video installation, color and b&w, silent

KAPITAL (2013) by Isaac Julienla Biennale di Venezia - Biennale Arte 2015

Room 12

Isaac Julien
KAPITAL, 2013
double-monitor HD video installation, color, sound (31’)

Demonstration Drawings (2015) by Rirkrit Tiravanijala Biennale di Venezia - Biennale Arte 2015

Rirkrit Tiravanija
Demonstration Drawings, 2015
one hundred drawings, graphite on paper, MDF frames

Demonstration Drawings (2007) by Rirkrit Tiravanijala Biennale di Venezia - Biennale Arte 2015

Rirkrit Tiravanija
Demonstration Drawings, 2007
one hundred drawings, graphite on paper, MDF frames

Everything #2.2, #2.3, #2.4, #2.5, #2.6, #2.7, #2.8, #2.9, #2.10, #2.11a, #2.12a, #2.12b, #2.13, #2.14, #2.15 (2003) by Adrian Piperla Biennale di Venezia - Biennale Arte 2015

Adrian Piper
Everything #2.2, #2.3, #2.4, #2.5, #2.6, #2.7, #2.8, #2.9, #2.10, #2.11a, #2.12a, #2.12b, #2.13, #2.14, #2.15, 2003
photocopied photographs on graph paper, sanded with sandpaper, overprinted with inkjet text

Adrian Piper
Everything #2.2, #2.3, #2.4, #2.5, #2.6, #2.7, #2.8, #2.9, #2.10, #2.11a, #2.12a, #2.12b, #2.13, #2.14, #2.15, 2003
photocopied photographs on graph paper, sanded with sandpaper, overprinted with inkjet text

Adrian Piper
Everything #2.2, #2.3, #2.4, #2.5, #2.6, #2.7, #2.8, #2.9, #2.10, #2.11a, #2.12a, #2.12b, #2.13, #2.14, #2.15, 2003
photocopied photographs on graph paper, sanded with sandpaper, overprinted with inkjet text

Adrian Piper
Everything #2.2, #2.3, #2.4, #2.5, #2.6, #2.7, #2.8, #2.9, #2.10, #2.11a, #2.12a, #2.12b, #2.13, #2.14, #2.15, 2003
photocopied photographs on graph paper, sanded with sandpaper, overprinted with inkjet text

Adrian Piper
Everything #2.2, #2.3, #2.4, #2.5, #2.6, #2.7, #2.8, #2.9, #2.10, #2.11a, #2.12a, #2.12b, #2.13, #2.14, #2.15, 2003
photocopied photographs on graph paper, sanded with sandpaper, overprinted with inkjet text

Peru 73 (1973) by Teresa Burgala Biennale di Venezia - Biennale Arte 2015

Teresa Burga
Peru 73, 1973
3 drawings, pen on paper

Peru 73, Teresa Burga, 1973, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Peru 73, Teresa Burga, 1973, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Peru 73, Teresa Burga, 1973, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Un Jardin d’Hiver (1974) by Marcel Broodthaersla Biennale di Venezia - Biennale Arte 2015

Room 13 - Marcel Broodthaers

Un Jardin d'Hiver, 1974 - installation with 26 Kentya palm trees, 6 b&w photographs, 16 garden folding chairs, 2 museum vitrines containing art prints and catalogues, rolled fitted carpet

Theory of Justice (1992/2010) by Peter Friedlla Biennale di Venezia - Biennale Arte 2015

Room 14 - Peter Friedl

Theory of Justice, 1992–2010 - newspaper clippings, sixteen display cases of stainless steel, Plexiglas, and painted plywood

Owls at Noon Prelude: The Hollow Men (2005) by Chris Markerla Biennale di Venezia - Biennale Arte 2015

Chris Marker
Owls at Noon Prelude: The Hollow Men, 2005
CD-ROM video for six screens (19’)

Autorretrato. Estructura. Informe. 9.6.72 (1972/2006) by Teresa Burgala Biennale di Venezia - Biennale Arte 2015

Teresa Burga
Autorretrato. Estructura. Informe. 9.6.72, 1972-2006
mixed media installation

Autorretrato. Estructura. Informe. 9.6.72, Teresa Burga, 1972/2006, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Autorretrato. Estructura. Informe. 9.6.72, Teresa Burga, 1972/2006, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Autorretrato. Estructura. Informe. 9.6.72, Teresa Burga, 1972/2006, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Autorretrato. Estructura. Informe. 9.6.72, Teresa Burga, 1972/2006, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Installation View (1974/2014) by Teresa Burgala Biennale di Venezia - Biennale Arte 2015

Teresa Burga
installation view, 1974-2013
mixed media

Untitled (contigo….), Teresa Burga, 2013, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Logic of Disappearance, A Marx Archive (2014) by Madhusudhananla Biennale di Venezia - Biennale Arte 2015

Madhusudhanan
Logic of Disappearance, A Marx Archive, 2014
thirty charcoal drawings on paper

Logic of Disappearance, A Marx Archive (2014) by Madhusudhananla Biennale di Venezia - Biennale Arte 2015

Madhusudhanan
Logic of Disappearance, A Marx Archive, 2014
thirty charcoal drawings on paper

Arenala Biennale di Venezia - Biennale Arte 2015

ARENA

The Arena program has been realized with the support of: LUMA Foundation, Registration of an epic series of live performances in ARENA from the Vinyl Factory, Helga de Alvear, with the technical support of Kwadrat Moroso

Biennale Arte 2015 - The Arenala Biennale di Venezia - Biennale Arte 2015

Evil Nigger, For Julius Eastman (2015) by Mathieu Kleyebe Abonnencla Biennale di Venezia - Biennale Arte 2015

Mathieu Kleyebe Abonnenc
Evil Nigger, For Julius Eastman, 2015

Evil Nigger, For Julius Eastman (2015) by Mathieu Kleyebe Abonnencla Biennale di Venezia - Biennale Arte 2015

Mathieu Kleyebe Abonnenc
Evil Nigger, For Julius Eastman, 2015

Evil Nigger, For Julius Eastman (2015) by Mathieu Kleyebe Abonnencla Biennale di Venezia - Biennale Arte 2015

Mathieu Kleyebe Abonnenc
Evil Nigger, For Julius Eastman, 2015

Summit 2015 (2015) by Creative Time Summitla Biennale di Venezia - Biennale Arte 2015

Creative Time Summit
Summit 2015, 2015

Summit 2015 (2015) by Creative Time Summitla Biennale di Venezia - Biennale Arte 2015

Creative Time Summit
Summit 2015, 2015

Broadsides & Ballas of the Industrial Revolution, Jeremy Deller, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Broadsides & Ballas of the Industrial Revolution, Jeremy Deller, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Broadsides & Ballas of the Industrial Revolution, Jeremy Deller, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Broadsides & Ballas of the Industrial Revolution, Jeremy Deller, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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e-flux journal, Supercommunity, e-flux journal, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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e-flux journal, Supercommunity, e-flux journal, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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e-flux journal, Supercommunity, e-flux journal, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Sound texts (2015) by Charles Gainesla Biennale di Venezia - Biennale Arte 2015

Charles Gaines
Sound texts, 2015

Sound texts (2015) by Charles Gainesla Biennale di Venezia - Biennale Arte 2015

Charles Gaines
Sound texts, 2015

Latent Images: Diary of a Photographer (2015) by Joana Hadjithomas & Khalil Joreigela Biennale di Venezia - Biennale Arte 2015

Joana Hadjithomas & Khalil Joreige
Latent Images: Diary of a Photographer, 2015

Latent Images: Diary of a Photographer (2015) by Joana Hadjithomas & Khalil Joreigela Biennale di Venezia - Biennale Arte 2015

Joana Hadjithomas & Khalil Joreige
Latent Images: Diary of a Photographer, 2015

DAS KAPITAL Oratorio, Isaac Julien, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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DAS KAPITAL Oratorio, Isaac Julien, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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DAS KAPITAL Oratorio, Isaac Julien, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Work songs (2015) by Jason Moran and Alicia Hall Moranla Biennale di Venezia - Biennale Arte 2015

Jason Moran and Alicia Hall Moran
Work songs, 2015

Work songs (2015) by Jason Moran and Alicia Hall Moranla Biennale di Venezia - Biennale Arte 2015

Jason Moran and Alicia Hall Moran
Work songs, 2015

Work songs (2015) by Jason Moran and Alicia Hall Moranla Biennale di Venezia - Biennale Arte 2015

Jason Moran and Alicia Hall Moran
Work songs, 2015

Work songs (2015) by Jason Moran and Alicia Hall Moranla Biennale di Venezia - Biennale Arte 2015

Jason Moran and Alicia Hall Moran
Work songs, 2015

Non consumiamo… (to Luigi Nono) (2015) by Olaf Nicolaila Biennale di Venezia - Biennale Arte 2015

Olaf Nicolai
Non consumiamo… (to Luigi Nono), 2015

Non consumiamo… (to Luigi Nono) (2015) by Olaf Nicolaila Biennale di Venezia - Biennale Arte 2015

Olaf Nicolai
Non consumiamo… (to Luigi Nono), 2015

Non consumiamo… (to Luigi Nono) (2015) by Olaf Nicolaila Biennale di Venezia - Biennale Arte 2015

Olaf Nicolai
Non consumiamo… (to Luigi Nono), 2015

Non consumiamo… (to Luigi Nono) (2015) by Olaf Nicolaila Biennale di Venezia - Biennale Arte 2015

Olaf Nicolai
Non consumiamo… (to Luigi Nono), 2015

Figures of (2015) by the Tomorrowla Biennale di Venezia - Biennale Arte 2015

the Tomorrow
Figures of, 2015

Figures of (2015) by the Tomorrowla Biennale di Venezia - Biennale Arte 2015

the Tomorrow
Figures of, 2015

Figures of (2015) by the Tomorrowla Biennale di Venezia - Biennale Arte 2015

the Tomorrow
Figures of, 2015

Forbidden Fruit picker and She’s got the whole world in her hands (2015) by Wangechi Mutula Biennale di Venezia - Biennale Arte 2015

Room 15 - Wangechi Mutu

Forbidden Fruit picker, 2015 - collage painting and She’s got the whole world in her hands, 2015 - mixed media, paper, wax

The End of Carrying All (2015) by Wangechi Mutula Biennale di Venezia - Biennale Arte 2015

Wangechi Mutu
The End of Carrying All, 2015
three-channel animated video installation, color sound (14’)

The End of Carrying All (2015) by Wangechi Mutula Biennale di Venezia - Biennale Arte 2015

Wangechi Mutu
The End of Carrying All, 2015
three-channel animated video installation, color sound (14’)

The End of Carrying All (2015) by Wangechi Mutula Biennale di Venezia - Biennale Arte 2015

Wangechi Mutu
The End of Carrying All, 2015
three-channel animated video installation, color sound (14’)

The End of Carrying All (2015) by Wangechi Mutula Biennale di Venezia - Biennale Arte 2015

Wangechi Mutu
The End of Carrying All, 2015
three-channel animated video installation, color sound (14’)

The End of Carrying All (2015) by Wangechi Mutula Biennale di Venezia - Biennale Arte 2015

Wangechi Mutu
The End of Carrying All, 2015
three-channel animated video installation, color sound (14’)

Untitled (from the series Luminary Petals on a Wet, Black Bough) (2015) by Victor Manla Biennale di Venezia - Biennale Arte 2015

Room 16 - Victor Man

Untitled, 2015 - oil on canvas mounted on wood, gold leaf wall drawing

Untitled (from the series Luminary Petals on a Wet, Black Bough) (2014/2015) by Victor Manla Biennale di Venezia - Biennale Arte 2015

Victor Man
Untitled (from the series Luminary Petals on a Wet, Black Bough), 2014-2015
oil on canvas

Untitled (after Giovanni di Pietro) (from the series Luminary Petals on a Wet, Black Bough), Victor Man, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Untitled (after Domenico Veneziano) (from the series Luminary Petals on a Wet, Black Bough), Victor Man, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Untitled (from the series Luminary Petals on a Wet, Black Bough), Victor Man, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Untitled (after Giorgione) (dalla serie Luminary Petals on a Wet, Black Bough), Victor Man, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Untitled (from the series Luminary Petals on a Wet, Black Bough) (2015) by Victor Manla Biennale di Venezia - Biennale Arte 2015

Victor Man
Untitled (from the series Luminary Petals on a Wet, Black Bough), 2015
oil on canvas mounted on wood, gold leaf wall drawing

Time and a Half (2003) by Mika Rottenbergla Biennale di Venezia - Biennale Arte 2015

Room 16 - Mika Rottemberg

Time and a Half, 2003 - single channel video, color, sound (3’ 40”)

Toyota Ipsum (1996) by Tetsuya Ishidala Biennale di Venezia - Biennale Arte 2015

Tetsuya Ishida
Toyota Ipsum, 1996
acrylic on paper, panel

Recalled and Awakening (1998) by Tetsuya Ishidala Biennale di Venezia - Biennale Arte 2015

Room 18

Awakening (1998) by Tetsuya Ishidala Biennale di Venezia - Biennale Arte 2015

Tetsuya Ishida
Awakening, 1998
acrylic on panel

Rise and Shine (1999) by Tetsuya Ishidala Biennale di Venezia - Biennale Arte 2015

Tetsuya Ishida
Rise and Shine, 1999
acrylic on canvas

Jellyfish’s Dream (1997) by Tetsuya Ishidala Biennale di Venezia - Biennale Arte 2015

Tetsuya Ishida
Jellyfish's Dream, 1997
acrylic on panel

Recalled (1998) by Tetsuya Ishidala Biennale di Venezia - Biennale Arte 2015

Tetsuya Ishida
Recalled, 1998
acrylic on paper, panel

Installation View (2014/2015) by Huma Bhabhala Biennale di Venezia - Biennale Arte 2015

Room 19

Dew Breaker and Dew Breaker, Ellen Gallagher, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Dew Breaker, Ellen Gallagher, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Dew Breaker, Ellen Gallagher, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Dr. Blowfins, Ellen Gallagher, 2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Atlas (2015) by Huma Bhabhala Biennale di Venezia - Biennale Arte 2015

Huma Bhabha
Atlas, 2015
recycled tire

Installation View (2014/2015) by Huma Bhabhala Biennale di Venezia - Biennale Arte 2015

Huma Bhabha
With Blows, 2015

With Words, 2015
cork, Styrofoam, cardboard, acrylic paint, oil stick, nail polish, wood

Huma Bhabha
Mechanic, 2015
cork, Styrofoam, cardboard, acrylic paint, oil stick, nail polish, wood

Huma Bhabha
Against What? Against Whom?, 2014
cork, Styrofoam, cardboard, acrylic paint, oil stick

Earth’s Creation (1994) by Emily Kame Kngwarreyela Biennale di Venezia - Biennale Arte 2015

Emily Kame Kngwarreye
Earth’s Creation, 1994
synthetic polymer paint on linen mounted on canvas, four panels

Come Out #12; #13; #14; #15 (2015) by Glenn Ligonla Biennale di Venezia - Biennale Arte 2015

Room 20 - Glenn Ligon

Come Out #12; #13; #14; #15, 2015 - silkscreen on canvas

Come Out #12; #13; #14; #15 (2015) by Glenn Ligonla Biennale di Venezia - Biennale Arte 2015

Glenn Ligon
Come Out #12; #13; #14; #15, 2015
silkscreen on canvas

Come Out #12; #13; #14; #15 (2015) by Glenn Ligonla Biennale di Venezia - Biennale Arte 2015

Glenn Ligon
Come Out #12; #13; #14; #15, 2015
silkscreen on canvas

Come Out #12; #13; #14; #15 (2015) by Glenn Ligonla Biennale di Venezia - Biennale Arte 2015

Glenn Ligon
Come Out #12; #13; #14; #15, 2015
silkscreen on canvas

Everything #21 (2010/2013) by Adrian Piperla Biennale di Venezia - Biennale Arte 2015

Room 21 - Adrian Piper

Everything #21, 2010–2013 - four vintage wall blackboards in lacquered wood frames, each mounted on wall at eye-level in landscape orientation and covered with single handwritten sentence repeated twenty-five times in white chalk handwritten cursive text

Everything #21 (2010/2013) by Adrian Piperla Biennale di Venezia - Biennale Arte 2015

Adrian Piper
Everything #21, 2010–2013
four vintage wall blackboards in lacquered wood frames, each mounted on wall at eye-level in landscape orientation and covered with single handwritten sentence repeated twenty-five times in white chalk handwritten cursive text

I numeri malefici (1978) by Fabio Maurila Biennale di Venezia - Biennale Arte 2015

Fabio Mauri
I numeri malefici, 1978
blackboards, photographic print, metal cage, sound and lithography by Giorgio De Chirico

I numeri malefici (1978) by Fabio Maurila Biennale di Venezia - Biennale Arte 2015

Fabio Mauri
I numeri malefici, 1978
blackboards, photographic print, metal cage, sound and lithography by Giorgio De Chirico

Realized and Unrealized Outdoor Projects (1986/2013) by Isa Genzkenla Biennale di Venezia - Biennale Arte 2015

Room 22

Realized and Unrealized Outdoor Projects (1986/2013) by Isa Genzkenla Biennale di Venezia - Biennale Arte 2015

Isa Genzken
Realized and Unrealized Outdoor Projects, 1986-2013
mixed media

Realized and Unrealized Outdoor Projects (1986/2013) by Isa Genzkenla Biennale di Venezia - Biennale Arte 2015

Isa Genzken
Realized and Unrealized Outdoor Projects, 1986-2013
mixed media

Realized and Unrealized Outdoor Projects (1986/2013) by Isa Genzkenla Biennale di Venezia - Biennale Arte 2015

Isa Genzken
Realized and Unrealized Outdoor Projects, 1986-2013
mixed media

Realized and Unrealized Outdoor Projects (1986/2013) by Isa Genzkenla Biennale di Venezia - Biennale Arte 2015

Isa Genzken
Realized and Unrealized Outdoor Projects, 1986-2013
mixed media

Realized and Unrealized Outdoor Projects (1986/2013) by Isa Genzkenla Biennale di Venezia - Biennale Arte 2015

Isa Genzken
Realized and Unrealized Outdoor Projects, 1986-2013
mixed media

Let Us Now Praise Famous Men, Walker Evans, 1936, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Let Us Now Praise Famous Men, Walker Evans, 1936, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Let Us Now Praise Famous Men, Walker Evans, 1936, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Let Us Now Praise Famous Men, Walker Evans, 1936, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Vertigo Sea (2015) by John Akomfrahla Biennale di Venezia - Biennale Arte 2015

Room 23 - John Akomfrah

Vertigo Sea, 2015 - three-channel 2 K HD video installation, color, surround sound (48’30”)

Room 24la Biennale di Venezia - Biennale Arte 2015

Room 24

Chicago Board of Trade III (1999/2009) by Andreas Gurskyla Biennale di Venezia - Biennale Arte 2015

Andreas Gursky
Chicago Board of Trade III, 1999-2009
C-print, Diasec, framed

Toys'R'Us (1999/2015) by Andreas Gurskyla Biennale di Venezia - Biennale Arte 2015

Andreas Gursky
Toys’R’Us, 1999-2015
Inkjet-print, Diasec, framed

Chicago Mercantile Exchange, Andreas Gursky, 1997, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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May Day IV, Andreas Gursky, 2000/2014, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Tokio, Börse / Tokyo Stock Exchange, Andreas Gursky, 1990, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Ocean II, Andreas Gursky, 1997, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Nha Trang (2004) by Andreas Gurskyla Biennale di Venezia - Biennale Arte 2015

Andreas Gursky
Nha Tang, 2004
C-print, Diasec, framed

L’Ambassade (1973) by Chris Markerla Biennale di Venezia - Biennale Arte 2015

Room 25 - Chris Marker

L’Ambassade, 1973 - 35mm film transferred to video, b&w, sound (20’)

Librettos: Manuel de Falla/Stokely Carmichael, Set 13, 2015 (2015) by Charles Gainesla Biennale di Venezia - Biennale Arte 2015

Room 26 - Charles Gaines

Librettos: Manuel de Falla/Stokely Carmichael, Set 13, 2015 - printed ink stained paper and lightjet print on acrylic

Sound Texts #1: All on Account of the Tariffs, Charles Gaines, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Sound Texts #2: Steal Away, Charles Gaines, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Sound Texts #3: La Carmagnole and Mes Fleurs, Charles Gaines, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Sound Texts #4: Deep River, Charles Gaines, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Blue Sail (1964/1965) by Hans Haackela Biennale di Venezia - Biennale Arte 2015

Room 27 - Hans Haacke

Blue Sail, 1964-1965 - chiffon, oscillating fan, fishing weights and thread

Vergleich von 3 Kunstausstellungs-Besucherprofilen (Comparison of 3 visitors’ profiles of art exhibition) (1973) by Hans Haackela Biennale di Venezia - Biennale Arte 2015

Hans Haacke
Vergleich von 3 Kunstausstellungs-Besucherprofilen (Comparison of 3 visitors’ profiles of art exhibition), 1973
ten bar graphs

Hans Haacke
Vergleich von 3 Kunstausstellungs-Besucherprofilen (Comparison of 3 visitors’ profiles of art exhibition), 1973
ten bar graphs

World Poll (2015) by Hans Haackela Biennale di Venezia - Biennale Arte 2015

Hans Haacke
World Poll, 2015
iPad, Mac Mini airport base station

World Poll (2015) by Hans Haackela Biennale di Venezia - Biennale Arte 2015

Hans Haacke
World Poll, 2015
iPad, Mac Mini airport base station

World Poll (2015) by Hans Haackela Biennale di Venezia - Biennale Arte 2015

Hans Haacke
World Poll, 2015
iPad, Mac Mini airport base station

Installation View (2013/2015) by Walead Beshtyla Biennale di Venezia - Biennale Arte 2015

Room 28

Installation View (2013/2015) by Walead Beshtyla Biennale di Venezia - Biennale Arte 2015

Walead Beshty
installation view, 2013-2015
mixed media

Installation View (2013/2015) by Walead Beshtyla Biennale di Venezia - Biennale Arte 2015

Walead Beshty
installation view, 2013-2015
mixed media

Installation View (2013/2015) by Walead Beshtyla Biennale di Venezia - Biennale Arte 2015

Walead Beshty
installation view, 2013-2015
mixed media

Hello, Today you have a day off (2013) by Jeremy Dellerla Biennale di Venezia - Biennale Arte 2015

Room 29 - Jeremy Deller

Hello, Today you have a day off, 2013 - fabric banner made by Ed Hall

Biennale Arte 2015 - Jeremy Dellerla Biennale di Venezia - Biennale Arte 2015

Lines upon the Explosion at Witton; near Birmingham and A prophecy for 1973, Jeremy Deller, 1843/1873, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Motorola WT4000 (2015) and William Clayton, Iron Workers, Tredegar (1865) (2015) by Jeremy Dellerla Biennale di Venezia - Biennale Arte 2015

Jeremy Deller
William Clayton, Iron Workers, Tredegar, 1865
28 carte de visite photographic prints Motorola WT4000, 2013plastic and electronics

Five in the morning, Jone O’ Grinfield and Just What We’d All Like To See, Jeremy Deller, 1843/1873, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Victoria Bridge in a Saturday Night (1843/1873) by Jeremy Dellerla Biennale di Venezia - Biennale Arte 2015

Jeremy Deller
Victoria Bridge in a Saturday Night, 1843-1873
from a book of Manchester songs and ballads compiled by Robert Holt album comprising 424 broadsides

Factory records (2013/2015) by Jeremy Dellerla Biennale di Venezia - Biennale Arte 2015

Jeremy Deller
Factory records, 2013
This jukebox is loaded with forty recordings from Britain’s industrial past and present; including the cotton and coal industries. Many were made in the 1980’s as the factories were closing down

Factory records (2013/2015) by Jeremy Dellerla Biennale di Venezia - Biennale Arte 2015

Jeremy Deller
Factory records, 2013
This jukebox is loaded with forty recordings from Britain’s industrial past and present; including the cotton and coal industries. Many were made in the 1980’s as the factories were closing down

Untitled (Blot) (2015) by Kerry James Marshallla Biennale di Venezia - Biennale Arte 2015

Room 30 - Kerry James Marshall

Untitled (Blot), 2015 - acrylic on PVC panel

Untitled (Blot) (2015) by Kerry James Marshallla Biennale di Venezia - Biennale Arte 2015

Kerry James Marshall
Untitled (Blot), 2015
acrylic on PVC panel

Untitled (Blot) (2015) by Kerry James Marshallla Biennale di Venezia - Biennale Arte 2015

Kerry James Marshall
Untitled (Blot), 2015
acrylic on PVC panel

Untitled (Playground), Kerry James Marshall, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Untitled (Lovers), Kerry James Marshall, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Skulls (2013/2015) by Marlene Dumasla Biennale di Venezia - Biennale Arte 2015

Room 31 - Marlene Dumas

Skulls, 2013–2015 - 36 works in oil on canvas

Skulls (2013/2015) by Marlene Dumasla Biennale di Venezia - Biennale Arte 2015

Marlene Dumas
Skulls, 2013–2015
36 works in oil on canvas

Skulls (2013/2015) by Marlene Dumasla Biennale di Venezia - Biennale Arte 2015

Marlene Dumas
Skulls, 2013–2015
36 works in oil on canvas

Bending to Earth (2015) by Rosa Barbala Biennale di Venezia - Biennale Arte 2015

Room 32 - Rosa Barba

Bending to Earth, 2015 - 35mm film installation, color, optical sound

Bending to Earth, Rosa Barba, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Bending to Earth, Rosa Barba, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Bending to Earth, Rosa Barba, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Bending to Earth, Rosa Barba, 2015, From the collection of: la Biennale di Venezia - Biennale Arte 2015
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Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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