Sep 8, 2007 - Sep 30, 2007

Very Fun Park 2007

Fubon Art Foundation

Comtemporary Art Exhibition in Taipei's East District

This highlights a giant “toy” that is at once intimate and disproportionate to reality. Viewers may recall back to their childhoodand be reminded of the excitement and joy of the play room.

作品是名為DaDi的蜘蛛造型機器人。Dadi有一對喜歡窺視的大眼睛,同時也喜歡到處流浪。而這一次他落腳在大安路巷內的庭院,不安分的四處張望,對路上的行人眨眼睛、作鬼臉、裝無辜,企圖引起大家的注意。

The artist plays with the proportions of real things and uses ridiculous visual and situational positions to present a black farce that declares the cruelty inherent in the expansion of human striving and desire.

Jimmy has produced an installation piece for the exhibition based on one of his book, Beautiful Solitude. It is about one the loneliness, the beauty and the little unspeakable secrets that make up the hidden part our lives.

This piece displays abstract images of ten children and their “silent shout” in the city. They appear to be laughing or shouting, though many of the emotions are simultaneously resolved through collective release.

Look at the three smiling faces on the side of the building. Are they muttering the word “O-I SHI?” In Japanese, OISHI means “tasty” but it has the same pronunciation as the artist, Akinori Oishi’s, last name. As part of this play on words, the title of the piece “Oishi” means “every taste.”

Tsai Chih-Fen uses these lush green areas in the city to create “Flower Sea Maze” ( 花海迷宮 ), a work that resonates with nature. This piece takes the image of a sea of azaleas and sows pink acrylic fiber through the greenery, forming a maze on the strip of green that runs through the city. This idea of natural organic combination between media highlights the vital beating heart at the center of the city.

Tseng Wei-Hao makes use of the principal that like charges attract and opposites repel, applying it to interactions between human bodies/objects, objects/objects, bodies/bodies and through electric traction creates sound. As part of the process of producing sound, the marks left behind after the exchange of ideas are often transformed into different physical forms, such as hearing and touch.

Yu Wen-fu decorates the wall of a police station, transforming it into a warm white bamboo gourd. A sensor is installed at the entrance so that when people pass through it, the sound of cicadas can be heard.

Jen Ta-Hsien welds together iron strips in order to launch an interwoven game of lines and points. The shapes are not of real objects but of the artist’s.

Fubon Art Foundation
Credits: Story

CEO:Maggie Tsai
Curator:Sean C.S Hu
Members:
Hsiung Chuan-Huei, Lu Yu-Hsuan, Lee Tai-Chiu, Chen Yen-Hsin
Yang Mei-Chan, Wu Yui-Chiu, Hsiung Wei, Liang Yu-Lun,
Chan Wei-Lun, Chan I-Hua, Chiu Chi-Ju, Chen Chu-Li, Huang Chien-Yu

Photography:Chung Shun-Lung
Animation:Gong Eric
Documentary:On-Works

Artist:
Yeh Yi-Li, Wu Tsan-Cheng, Huang Lan-Ya, Chen Yi-Chieh, Akinori Oishi, Hsu Yang-Cong, Cheng Hsio-Ju, Jen Ta-Hsien, Su Meng-Hung, Mella Jaarsma/Netherlands, Chang=Ling, Wu Dar-Kuen, Susan Kendzulak, Hou Yi-Ting, Chiu Chao-Tsai, Jimmy, VERY experi-site, River Kuo, Takahiko Suzuki, Huang Tzi-Chin, :phunk studio, Tseng Yung-Ning, Chang Guen-Hua, Chang Guen-Hao, Yang Chun-Sen, Tseng Wei-Hao, Hsu Tang-Wei, Mr. Eyeball, Ling Po-Cheng, Jeffrey Wang, Huang Yu-Ju, Yu Wen-Fu, Li Ming-Tao, Hung Yi, Huang Pei-Ying, Nicola Costantino, Tsai Chih-Fen, Shiao Chu-Fang, Hsu Chia-Yu, Lin Kun-Ying, Lin Chien-Jung, Lu Hsian-Fu, Su Hue-Yu, Tsui Kuang-Yu, Huang Bo-Chih, Nezaket Ekici, Etat Art, Wu Bo-Liang

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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