By la Biennale di Venezia - Biennale Arte 2015
Biennale Arte 2015
PAOLO BARATTA - President of la Biennale di Venezia
We celebrate this year the 120th anniversary of the first Art Exhibition (1895). The International Exhibition curated by Okwui Enwezor expands from the Central Pavilion at the Giardini to the Arsenale, and to external areas. 89 partecipating countries (58 un 1997), 29 in the historic pavilions in the Giardini, 31 in the spaces dedicated to the countries within the Arsenale (where restoration work continues on 16th century buildings), and the rest in other buildings in Venice. 44 Collateral Events presented by non-profit organisations and admitted by our curator. The Biennale moves forward and builds on its own history, which is formed of many memories but, in particular, a long succession of different perspectives from which to observe the phenomenon of contemporary artistic creation. Curiger, Gioni, Enwezor: three chapters in a research process engaged by la Biennale to explore the benchmarks that can help us formulate aesthetic judgments on contemporary art, a critical question following the demise of the avant-gardes and non-art. Okwui does not claim to pass judgment, his wish is to bring together arts and artists from throughout the world and from different disciplines, to instate a Parliament of Forms, as it were. 136 artists, of which 89 for the first time, from 53 countries, many of them from geographical areas that we paradoxically insist on defining as peripheral. 159 works on display are expressly realized for this year edition. In the more intimate Biennales as in the ones that more dramatically draw in history, what is important is that the Exhibition must always be seen as a venue for free and indipendent dialogue.
OKWUI ENWEZOR - Curator of the 56th International Art Exhibition
Rather than one overarching theme that gathers and encapsulates diverse forms and pratices into one unified field of vision, All the World's Futures is informed by a layer of three intersecting Filters, namely; Garden of Disorder, Liveness: On Epic Duration, and Reading Capital. Questi The three Filters represent a constellation of parameters, which will be touched upon in order to imagine and realize a diversity of pratices. In 2015, the 56th International Art Exhibition, La Biennale di Venezia will employ the historical trajectory of the Biennale itself, one that I have so far sketched out as a Filter through which to scan the latent historical body of the event. The goal of three Filters is to describe both the current state of things and the appearance of things. With each Filter superimposed on the other, the 56th International Art Exhibition will delve into the contemporary global reality as one of the constant realignment, adjustment, recalibration, motility, and shape-shifting. It will play host to what could be described as a Parliament of Forms whose orchestration and episodic unfolding will be broadly global in scope. At the core of the project is the notion of the exhibition as stage where historical and counter-historical projects will be explored. These projects, works, and voices, like an orchestra will occupy the spaces of the Biennale and pre-occupy the time and thinking of the public.
Room 1
American Violence (1981/1982) by Bruce Naumanla Biennale di Venezia - Biennale Arte 2015
Bruce Nauman
American Violence, 1981-1982 (refabricated exhibition copy)
neon tubing with clear glass tubing suspension frame
Human Nature / Life Death / Knows Doesn’t Know (1983) by Bruce Naumanla Biennale di Venezia - Biennale Arte 2015
Bruce Nauman
Human Nature / Life Death / Knows Doesn’t Know, 1983 (refabricated exhibition copy, 2015)
neon
Life, Death, Love, Hate, Pleasure, Pain (1983) by Bruce Naumanla Biennale di Venezia - Biennale Arte 2015
Bruce Nauman
Life, Death, Love, Hate, Pleasure, Pain, 1983
neon (exhibition copy)
Nymphéas (2015) by Adel Abdessemedla Biennale di Venezia - Biennale Arte 2015
Adel Abdessemed
Nymphéas, 2015
grouping of knives
Nymphéas (2015) by Adel Abdessemedla Biennale di Venezia - Biennale Arte 2015
Adel Abdessemed
Nymphéas, 2015
grouping of knives
Rooms 2-8 Philippe Parreno
56 Flickering Lights, 2013 - programmed light fixtures
Room 2 - Jennifer Allora & Guillermo Calzadilla
In the Midst of Things, 2015 - performance by a vocal octet (30’)
Biennale Arte 2015 - Allora & Calzadillala Biennale di Venezia - Biennale Arte 2015
Jennifer Allora & Guillermo Calzadilla
In the Midst of Things, 2015
performance by a vocal octet
Untitled (TI1) and Untitled (TI2) (2015) by Daniel Boydla Biennale di Venezia - Biennale Arte 2015
Daniel Boyd
Untitled (TI1), 2015
oil, charcoal and archival glue on polyester
Untitled (TI2), 2015
oil, charcoal and archival glue on polyester
Daniel Boyd
Untitled (TI1), 2015
oil, charcoal and archival glue on polyester
Daniel Boyd
Untitled (TI2), 2015
oil, charcoal and archival glue on polyester
Divine Mute (from the series Deeper Still, left, 1998), The Last Trumpet (front, 1995) (1995/1998) by Terry Adkinsla Biennale di Venezia - Biennale Arte 2015
Terry Adkins
Divine Mute, 1998
aluminum, brass, nickel, wood
The Last Trumpet, 1995
four brass Akrhaphones
Muffled Drums (from the series Darkwater) (2003) by Terry Adkinsla Biennale di Venezia - Biennale Arte 2015
Terry Adkins
Muffled Drums, 2003
bass drums and mufflers
Terry Adkins
Muffled Drums, 2003
bass drums and mufflers
Terry Adkins
Muffled Drums, 2003
bass drums and mufflers
Terry Adkins
Muffled Drums, 2003
bass drums and mufflers
Matinée (2007/2013) by Terry Adkinsla Biennale di Venezia - Biennale Arte 2015
Terry Adkins
Matinée, 2007-2013
bronze, steel, hangers, burnt cork
Installation View (1964/2012) by Melvin Edwardsla Biennale di Venezia - Biennale Arte 2015
Melvin Edwards
installation view, 1964-2012
welded steel
Installation View (1964/2012) by Melvin Edwardsla Biennale di Venezia - Biennale Arte 2015
Melvin Edwards
installation view, 1964-2012
welded steel
Amanda (1981) by Melvin Edwardsla Biennale di Venezia - Biennale Arte 2015
Melvin Edwards
Amanda, 1981
welded steel
Ida W.B. (1990) by Melvin Edwardsla Biennale di Venezia - Biennale Arte 2015
Melvin Edwards
Ida W.B., 1990
welded steel
Latent Combustion #1, #2, #3, #4, #5 (2015) by Monica Bonvicinila Biennale di Venezia - Biennale Arte 2015
Monica Bonvicini
Latent Combustion, #1, #2, #3, #4, #5, 2015
chainsaws, wood axe, black polyurethane, matt finish, steel chains
Latent Combustion #1, #2, #3, #4, #5 (2015) by Monica Bonvicinila Biennale di Venezia - Biennale Arte 2015
Monica Bonvicini
Latent Combustion, #1, #2, #3, #4, #5, 2015
chainsaws, wood axe, black polyurethane, matt finish, steel chains
JingLing Chronicle Theater Project (2010/2015) by Qiu Zhijiela Biennale di Venezia - Biennale Arte 2015
Qiu Zhijie
JingLing Chronicle Theater Project, 2010-2015
mixed media installation
JingLing Chronicle Theater Project (2010/2015) by Qiu Zhijiela Biennale di Venezia - Biennale Arte 2015
Qiu Zhijie
JingLing Chronicle Theater Project, 2010-2015
mixed media installation
Biennale Arte 2015 - QIU Zhijiela Biennale di Venezia - Biennale Arte 2015
Labour in a Single Shot (2011/2014)la Biennale di Venezia - Biennale Arte 2015
Antje Ehmann & Harun Farocki
Labour in a Single Shot, 2011-2014
5-screen video installation, color, sound, approx. 450 films (approx. 1–2’ each)
Longing (2014) by Raha Raissniala Biennale di Venezia - Biennale Arte 2015
Raha Raissnia
Longing, 2014
16mm film, color, b&w, optical sound (20’)
Biennale Arte 2015 - Raha Raissnia: Longingla Biennale di Venezia - Biennale Arte 2015
Installation View (1997) by Abu Bakarr Mansarayla Biennale di Venezia - Biennale Arte 2015
Abu Bakarr Mansaray
installation view, 1997
pencil and black and red ink on paper
Nuclear Telephone discovered in Hell (2003) by Abu Bakarr Mansarayla Biennale di Venezia - Biennale Arte 2015
Abu Bakarr Mansaray
Nuclear Telephone Discovered in Hell, 2003
graphite and coloured pencil on paper
Lethal Purpose (1997) by Abu Bakarr Mansarayla Biennale di Venezia - Biennale Arte 2015
Abu Bakarr Mansaray
Lethal Purpose, 1997
pencil and black and red ink on paper
Installation View (1997) by Abu Bakarr Mansarayla Biennale di Venezia - Biennale Arte 2015
Abu Bakarr Mansaray
installation view, 1997
pencil and black and red ink on paper
that is the last item on this list: a glass of anger (2015) by Thea Djordjadzela Biennale di Venezia - Biennale Arte 2015
Thea Djordjadze
that is the last item on this list: a glass of anger, 2015
various materials
that is the last item on this list: a glass of anger (2015) by Thea Djordjadzela Biennale di Venezia - Biennale Arte 2015
Thea Djordjadze
that is the last item on this list: a glass of anger, 2015
various materials
Cannone Semovente (1965) by Pino Pascalila Biennale di Venezia - Biennale Arte 2015
Pino Pascali
Cannone Semovente, 1965
wood, scrap metal, wheels
Cannone Semovente (1965) by Pino Pascalila Biennale di Venezia - Biennale Arte 2015
Pino Pascali
Cannone Semovente, 1965
wood, scrap metal, wheels
Paperwork, and the Will of Capital (2015) by Taryn Simonla Biennale di Venezia - Biennale Arte 2015
Taryn Simon
Paperwork, and the Will of Capital, 2015
pigmented concrete press, dried plant specimens, archival inkjet prints, text on herbarium paper, and steel brace
Paperwork, and the Will of Capital (2015) by Taryn Simonla Biennale di Venezia - Biennale Arte 2015
Taryn Simon
Paperwork, and the Will of Capital, 2015
pigmented concrete press, dried plant specimens, archival inkjet prints, text on herbarium paper, and steel brace
Also sprach Allah (2008) by Adel Abdessemedla Biennale di Venezia - Biennale Arte 2015
Adel Abdessemed
Also sprach Allah, 2008
black stone on carpet and video, color, sound
The Diaries (1981/2015) by Peter Friedlla Biennale di Venezia - Biennale Arte 2015
Peter Friedl
The Diaries, 1981-2015
three hundred and twenty-eight notebooks, three vitrines of oak, oak veneer on chipboard, and glass
Latent Images, Diary of a Photographer (part III of the project Wonder Beirut) (2009/2015) by Joana Hadjithomas & Khalil Joreigela Biennale di Venezia - Biennale Arte 2015
Joana Hadjithomas & Khalil Joreige
Latent Images, Diary of a Photographer, 2009-2015
177 days of performances, 354 books, timeline shelves
A daily performance is held in the ARENA, where actors read the entire book. In the exhibition in the Arsenale, another book is available to the visitors
Latent Images, Diary of a Photographer (part III of the project Wonder Beirut) (2009/2015) by Joana Hadjithomas & Khalil Joreigela Biennale di Venezia - Biennale Arte 2015
Joana Hadjithomas & Khalil Joreige
Latent Images, Diary of a Photographer, 2009-2015
177 days of performances, 354 books, timeline shelves
A daily performance is held in the ARENA, where actors read the entire book. In the exhibition in the Arsenale, another book is available to the visitors
Untitled Trumpet (2015) by Katharina Grossela Biennale di Venezia - Biennale Arte 2015
Katharina Grosse
Untitled Trumpet, 2015
acrylic on fabric, soil and aluminum debris
Room 4
My Epidemic (Small Bad Blood Opera) (2015) by Lili Reynaud Dewarla Biennale di Venezia - Biennale Arte 2015
Lili Reynaud Dewar
My Epidemic (Small Bad Blood Opera), 2015
installation: fabric, ink, paint, metal, speakers, amplifiers, videos, LED screens, audio track 29'58''
My Epidemic (Small Bad Blood Opera) (2015) by Lili Reynaud Dewarla Biennale di Venezia - Biennale Arte 2015
Lili Reynaud Dewar
My Epidemic (Small Bad Blood Opera), 2015
installation: fabric, ink, paint, metal, speakers, amplifiers, videos, LED screens, audio track 29'58''
Biennale Arte 2015 - Lili Reynaud-Dewarla Biennale di Venezia - Biennale Arte 2015
Zwischen Lagos und Berlin (2015) by Karo Akpokierela Biennale di Venezia - Biennale Arte 2015
Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper
Zwischen Lagos und Berlin (2015) by Karo Akpokierela Biennale di Venezia - Biennale Arte 2015
Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper
Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper
Zwischen Lagos und Berlin (2015) by Karo Akpokierela Biennale di Venezia - Biennale Arte 2015
Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper
Drawings from the series Graphic Performatives (2014/2015) by Olga Chernyshevala Biennale di Venezia - Biennale Arte 2015
Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper
Drawings from the series Graphic Performatives (2014/2015) by Olga Chernyshevala Biennale di Venezia - Biennale Arte 2015
Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper
Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper
Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper
Untitled (Good Morning…) (from the series Graphic Performatives) (2015) by Olga Chernyshevala Biennale di Venezia - Biennale Arte 2015
Olga Chernysheva
Untitled (Good Morning...), 2015
charcoal on paper
Sanguinetti Breakout Area (2015) by Samson Kambalula Biennale di Venezia - Biennale Arte 2015
Samson Kambalu
Sanguinetti Breakout Area, 2015
detourned Sanguinetti papers, photographs and publications sourced at Yale University’s Beinecke Library; breakout area furniture (based on Guy Debord’s ‘A Game of War’); a display vitrine; and a mural of a letter from Bill Brown to Sanguinetti
Sanguinetti Breakout Area (2015) by Samson Kambalula Biennale di Venezia - Biennale Arte 2015
Samson Kambalu
Sanguinetti Breakout Area, 2015
detourned Sanguinetti papers, photographs and publications sourced at Yale University’s Beinecke Library; breakout area furniture (based on Guy Debord’s ‘A Game of War’); a display vitrine; and a mural of a letter from Bill Brown to Sanguinetti
Biennale Arte 2015 - Samson Kambalula Biennale di Venezia - Biennale Arte 2015
A Morning Breeze (2015) by Petra Bauerla Biennale di Venezia - Biennale Arte 2015
Petra Bauer
A Morning Breeze, 2015
mixed media installation, posters, digital slide projection on table
Biennale Arte 2015 - Petra Bauerla Biennale di Venezia - Biennale Arte 2015
Petersburg Underground (2015) by Liisa Robertsla Biennale di Venezia - Biennale Arte 2015
Liisa Roberts
Petersburg Underground, 2015
thirteen color photographs mounted on ragboard, C-prints hand printed from large format negatives
Liisa Roberts
Petersburg Underground, 2015
thirteen color photographs mounted on ragboard, C-prints hand printed from large format negatives
Liisa Roberts
Petersburg Underground, 2015
thirteen color photographs mounted on ragboard, C-prints hand printed from large format negatives
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3 (2015) by Ayoung Kimla Biennale di Venezia - Biennale Arte 2015
Ayoung Kim
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3, 2015
Performance
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3 (2015) by Ayoung Kimla Biennale di Venezia - Biennale Arte 2015
Ayoung Kim
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3, 2015
Performance
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3 (2015) by Ayoung Kimla Biennale di Venezia - Biennale Arte 2015
Ayoung Kim
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3, 2015
six-channel sound installation, wall diagram
The Laguna’s Tribute (A Corner Speaker in Venice) (2015) by Saâdane Afifla Biennale di Venezia - Biennale Arte 2015
Saâdane Afif
The Laguna’s Tribute (A Corner Speaker in Venice), 2015
street performance at sunset, posters, flyers, soapbox cast in bronze
Qiu Notes on the colorful Lantern Scrolls (2010/2015) by Qiu Zhijiela Biennale di Venezia - Biennale Arte 2015
Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper
Qiu Notes on the colorful Lantern Scrolls (2010/2015) by Qiu Zhijiela Biennale di Venezia - Biennale Arte 2015
Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper
Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper
Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper
Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper
Gone Are the Days of Shelter and Martyr (2014) by Theaster Gatesla Biennale di Venezia - Biennale Arte 2015
Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video
Gone Are the Days of Shelter and Martyr (2014) by Theaster Gatesla Biennale di Venezia - Biennale Arte 2015
Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video
Gone Are the Days of Shelter and Martyr (2014) by Theaster Gatesla Biennale di Venezia - Biennale Arte 2015
Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video
Gone Are the Days of Shelter and Martyr (2014) by Theaster Gatesla Biennale di Venezia - Biennale Arte 2015
Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video
Zaum Tractor (2013) by Sonia Leber & David Chesworthla Biennale di Venezia - Biennale Arte 2015
Sonia Leber & David Chesworth
Zaum Tractor, 2013
two-channel HD video, stereo sound (26’)
Zaum Tractor (2013) by Sonia Leber & David Chesworthla Biennale di Venezia - Biennale Arte 2015
Sonia Leber & David Chesworth
Zaum Tractor, 2013
two-channel HD video, stereo sound (26’)
Zaum Tractor - excerpts - 2 minla Biennale di Venezia - Biennale Arte 2015
Exquisite Cacophony (2015) by Sonia Boycela Biennale di Venezia - Biennale Arte 2015
Sonia Boyce
Exquisite Cacophony, 2015
single channel HD video, color, sound (35’)
Fara Fara (2014) by Carsten Höller & Måns Månssonla Biennale di Venezia - Biennale Arte 2015
Carsten Höller & Måns Månsson
Fara Fara, 2014
two-channel video installation, digitized 35mm film and archive VHS material, color, sound (13’)
The Anti-Clock Project (2015) by Nidhal Chamekhla Biennale di Venezia - Biennale Arte 2015
Nidhal Chamekh
The Anti-Clock Project, 2015
white plastic and resin 3D print model, drawings, text, photographic print
The Anti-Clock Project (2015) by Nidhal Chamekhla Biennale di Venezia - Biennale Arte 2015
Nidhal Chamekh
The Anti-Clock Project, 2015
white plastic and resin 3D print model, drawings, text, photographic print
Biennale Arte 2015 - Nidhal Chamekhla Biennale di Venezia - Biennale Arte 2015
Penal Colony (2014/2015) by Madhusudhananla Biennale di Venezia - Biennale Arte 2015
Madhusudhanan
Penal Colony, 2014-2015
thirty five charcoal drawings on paper
Room 5 - Eduardo Basualdo
Amenaza (2015) and Alba (2015) - plastic, graphite, metal, wood / metal, wood
Eduardo Basualdo (2015) by Cómo volver a casala Biennale di Venezia - Biennale Arte 2015
Eduardo Basualdo
Cómo volver a casa, 2015
graphite on paper on metal and wooden table
Grito (2015) by Eduardo Basualdola Biennale di Venezia - Biennale Arte 2015
Eduardo Basualdo
Grito, 2015
graphite on paper, metal
Games Whose Rules I Ignore (2015) by Boris Achourla Biennale di Venezia - Biennale Arte 2015
Boris Achour
Games Whose Rules I Ignore, 2015
mixed media sculpture, video, color, sound
Games Whose Rules I Ignore (2015) by Boris Achourla Biennale di Venezia - Biennale Arte 2015
Boris Achour
Games Whose Rules I Ignore, 2015
mixed media sculpture, video, color, sound
Biennale Arte 2015 - Boris Achour: Games Whose Rules I Ignorela Biennale di Venezia - Biennale Arte 2015
Biennale Arte 2015 - Newell Harryla Biennale di Venezia - Biennale Arte 2015
The Bell (2014/2015) by Hiwa Kla Biennale di Venezia - Biennale Arte 2015
Hiwa K
The Bell, 2014-2015
war waste metal sculpture, two-channel HD video, color, sound (19’ 39”, 5’ 52”, approx. 20’)
The Other Memorial (2015) by Sammy Balojila Biennale di Venezia - Biennale Arte 2015
Sammy Baloji
The Other Memorial, 2015
copper
Biennale Arte 2015 - Adrian Piperla Biennale di Venezia - Biennale Arte 2015
Room 6 - Christian Boltanski
Animitas, 2014 - full HD video, color, sound (24 hours)
Biennale Arte 2015 - Christian Boltanskila Biennale di Venezia - Biennale Arte 2015
Now (2015) by Chantal Akermanla Biennale di Venezia - Biennale Arte 2015
Chantal Akerman
Now, 2015
multiple channel HD video installation, color, five sound tracks mono and stereo
Now (2015) by Chantal Akermanla Biennale di Venezia - Biennale Arte 2015
Chantal Akerman
Now, 2015
multiple channel HD video installation, color, five sound tracks mono and stereo - still
Installation View (2013/2015) by Ji Dachunla Biennale di Venezia - Biennale Arte 2015
Ji Dachun
installation view
acrilic on canvas
Black is Rectangular (2013) and One Day Two Moments (2015) (2013/2015) by Ji Dachunla Biennale di Venezia - Biennale Arte 2015
Ji Dachun
Black is Rectangular, 2013
acrilic on canvas
One Day Two Moments, 2015
acrilic on canvas
Murmur (2015) by Ji Dachunla Biennale di Venezia - Biennale Arte 2015
Ji Dachun
Murmur, 2015
acrilic on canvas
Installation View (2009/2014) by Ricardo Breyla Biennale di Venezia - Biennale Arte 2015
Ricardo Brey
veduta dell'installazione
mixed media
Installation View (2009/2014) by Ricardo Breyla Biennale di Venezia - Biennale Arte 2015
Ricardo Brey
veduta dell'installazione
mixed media
Oblivion (2010) and Nevel (Fog) (2010-2012) (2010/2012) by Ricardo Breyla Biennale di Venezia - Biennale Arte 2015
Ricardo Brey
Oblivion, 2010-2012
fabric, ceramics, metal, stone, lead, two boxes, glass, chalk
Nevel (Fog), 2010
metallic paint, silver and aged silver metallic papers, metal, chocolate fish mould, lead, mica, wire, lion’s fang, battery, metal beads, earring buttons, glass, bird’s skull, glasses, tiger teeth, chain, one leporello book, one notebook
Biennale Arte 2015 - Ricardo Breyla Biennale di Venezia - Biennale Arte 2015
Biennale Arte 2015 - Ricardo Breyla Biennale di Venezia - Biennale Arte 2015
Souvenirs for the Landlocked (2015) by Meriç Algün Ringborgla Biennale di Venezia - Biennale Arte 2015
Meriç Algün Ringborg
Souvenirs for the Landlocked, 2015
mixed media installation
Indoor Flights (2015) by Ernesto Ballesterosla Biennale di Venezia - Biennale Arte 2015
Ernesto Ballesteros
Indoor Flights, 2015
performance
Indoor Flights (2015) by Ernesto Ballesterosla Biennale di Venezia - Biennale Arte 2015
Ernesto Ballesteros
Indoor Flights, 2015
performance
Biennale Arte 2015 - Ernesto Ballesterosla Biennale di Venezia - Biennale Arte 2015
The AK-47 vs The M16 (2015) by The Propeller Groupla Biennale di Venezia - Biennale Arte 2015
The Propeller Group
The AK-47 vs The M16, 2015
fused AK-47 and M-16 projectiles encased in ballistics gel with metal stand and LED light fixture, single channel HD video, color, silent, approx. 12’
Biennale Arte 2015 - The Propeller Groupla Biennale di Venezia - Biennale Arte 2015
Room 7 - Helen Marten
Lunar nibs, 2015 and On aerial greens (haymakers), 2015
On aerial greens (haymakers) (2015) by Helen Martenla Biennale di Venezia - Biennale Arte 2015
Helen Marten
On aerial greens (haymakers), 2015
part 1: lacquered hardwood, steel, shoe soles, rubber, cast rubber, cast resin, stitched fabric, pipe tubing, galvanized cardboard, string, stamped baking paper, limes, marbles, embroidered fabric
part 2: screen printed suede, leather and PVC, hard thrown glazed ceramic, lacquered hardwood, Formica, cast resin, cast rubber, woven straw
Night-blooming genera (2015) by Helen Martenla Biennale di Venezia - Biennale Arte 2015
Helen Marten
Night-blooming genera, 2015
spun aluminium, airbrushed steel, welded steel, lacquered hardwoods, stitched fabric, hand-thrown glazed ceramic, leather, glass, feathers, acid etched concrete
Slavery, The Prison Industrial Complex (1981/2013) by Keith Calhoun & Chandra McCormickla Biennale di Venezia - Biennale Arte 2015
Keith Calhoun & Chandra McCormick
Slavery, The Prison Industrial Complex, 1981-2013
photographs, archival pigment prints
Slavery, The Prison Industrial Complex (1981/2013) by Keith Calhoun & Chandra McCormickla Biennale di Venezia - Biennale Arte 2015
Keith Calhoun & Chandra McCormick
Slavery, The Prison Industrial Complex, 1981-2013
photographs, archival pigment prints
Factory Drawing Drawn In Situ (2010/2015) by Joachim Schönfeldtla Biennale di Venezia - Biennale Arte 2015
Joachim Schönfeldt
Factory Drawing Drawn In Situ, 2010-2015
B1 and B2 pencil on Cartridge, Sketch paper 180gm
Biennale Arte 2015 - Joachim Schönfeldt: The Guilds and Unions Filmla Biennale di Venezia - Biennale Arte 2015
Crush Art (2003/2008) by Chris Markerla Biennale di Venezia - Biennale Arte 2015
Chris Marker
Crush Art, 2003-2008
sixteen B&W photographs mounted on white Sintra
Chris Marker
Crush Art, 2003-2008
sixteen B&W photographs mounted on white Sintra
Chris Marker
Crush Art, 2003-2008
sixteen B&W photographs mounted on white Sintra
Installation View (2015) by Gedi Sibonyla Biennale di Venezia - Biennale Arte 2015
Gedy Sibony
installation view
aluminum semi-trailer
Trident (2015) by Gedi Sibonyla Biennale di Venezia - Biennale Arte 2015
Gedy Sibony
Trident, 2015
aluminum semi-trailer
Untitled (2015) by Kay Hassanla Biennale di Venezia - Biennale Arte 2015
Kay Hassan
Untitled, 2015
paper construction
Empire Medley (2015) by Kay Hassanla Biennale di Venezia - Biennale Arte 2015
Kay Hassan
Empire Medley, 2015
two prints on aluminum plate, two pianos, score (16’)
Empire Medley (2015) by Kay Hassanla Biennale di Venezia - Biennale Arte 2015
Kay Hassan
Empire Medley, 2015
two prints on aluminum plate, two pianos, score (16’)
Blind Spot (2014/2015)la Biennale di Venezia - Biennale Arte 2015
Mykola Ridnyi
Blind Spot, 2014-2015
acrylic spray on C-print, pen on paper
From the Horde to the Bee (2015) by Marco Fusinatola Biennale di Venezia - Biennale Arte 2015
Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera
From the Horde to the Bee (2015) by Marco Fusinatola Biennale di Venezia - Biennale Arte 2015
Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera
From the Horde to the Bee (2015) by Marco Fusinatola Biennale di Venezia - Biennale Arte 2015
Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera
From the Horde to the Bee (2015) by Marco Fusinatola Biennale di Venezia - Biennale Arte 2015
Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera
Untitled and Untitled (2014) by Huma Bhabhala Biennale di Venezia - Biennale Arte 2015
Huma Bhabha
Untitled, 2014
Untitled, 2014
ink and collage on color photograph
Untitled and Untitled (2014) by Huma Bhabhala Biennale di Venezia - Biennale Arte 2015
Huma Bhabha
Untitled, 2014
Untitled, 2014
ink and collage on color photograph
Who is building the Guggenheim Abu Dhabi (2015) by Guld Labor Coalitionla Biennale di Venezia - Biennale Arte 2015
Gulf Labor Coalition
Who is building the Guggenheim Abu Dhabi, 2015
banner
STAGED: Savoy Ballroom 1 (2015) by Jason Moranla Biennale di Venezia - Biennale Arte 2015
Jason Moran
STAGED: Savoy Ballroom 1, 2015
mixed media installation, sound
STAGED: Three Deuces (2015) by Jason Moranla Biennale di Venezia - Biennale Arte 2015
Jason Moran
STAGED: Three Deuces, 2015
mixed media installation, recorded sound
The Throne of Non Slavery (2014) by Gonçalo Mabundala Biennale di Venezia - Biennale Arte 2015
Gonçalo Mabunda
The Throne of Non Slavery, 2014
decommissioned welded arms
The Throne of Non Slavery (2014) by Gonçalo Mabundala Biennale di Venezia - Biennale Arte 2015
Gonçalo Mabunda
The Throne of Non Slavery, 2014
decommissioned welded arms
The Knowledge Throne (2014) by Gonçalo Mabundala Biennale di Venezia - Biennale Arte 2015
Gonçalo Mabunda
The Knowledge Throne, 2014
decommissioned welded arms
The Throne That Never Stops In Time (2014) by Gonçalo Mabundala Biennale di Venezia - Biennale Arte 2015
Gonçalo Mabunda
The Throne That Never Stops In Time,, 2014
decommissioned welded arms
The Throne That Never Stops In Time (2014) by Gonçalo Mabundala Biennale di Venezia - Biennale Arte 2015
Gonçalo Mabunda
The Throne That Never Stops In Time,, 2014
decommissioned welded arms
The Throne That Never Stops In Time (2014) by Gonçalo Mabundala Biennale di Venezia - Biennale Arte 2015
Gonçalo Mabunda
The Throne That Never Stops In Time,, 2014
decommissioned welded arms
The Syrian Project (2011/2015) by Tiffany Chungla Biennale di Venezia - Biennale Arte 2015
Tiffany Chung
The Syrian Project, 2012-2015
ink and oil on vellum and paper
Room 8 - David Maljkovic
New Reproduction, 2013–2015 - powder-coated aluminum, MDF, wallpaper
New Reproduction (2013/2015) by David Maljkovicla Biennale di Venezia - Biennale Arte 2015
David Maljkovic
New Reproduction, 2013-2015
powder-coated aluminum, MDF, wallpaper
Atlas of Harun Farocki’s Filmography (2015) by Harun Farockila Biennale di Venezia - Biennale Arte 2015
All the World’s Futures presents Atlas of Harun Farocki’s Filmography, an anthology of the work of the late artist and filmmaker Harun Farocki. The presentation comprises Farocki’s complete films, which have been restored and are presented in chronological order on separate screens; black screens signify films that have been lost or not yet digitized. Over the course of the exhibition, newly discovered and converted films will be added to the presentation. Every day, a different film from Farocki’s distinguished body of work is continuously screened in the screening space. The daily films follow each other in chronological sequence. The screenings recommence with the first film each time the complete films have been presented. In addition to the complete films, the anthology includes Farocki’s notebooks and issues of the magazine Filmkritik, of which he was the editor from 1974 until 1984.
Regular Places (2014) by Mykola Ridnyila Biennale di Venezia - Biennale Arte 2015
Mykola Ridnyi
Regular Places, 2014
single channel HD video, color, sound (14’ 6”)
La Town (2014) by Cao Feila Biennale di Venezia - Biennale Arte 2015
Cao Fei
La Town, 2014
HD video, color, sound, (42’)
La Town (2014) by Cao Feila Biennale di Venezia - Biennale Arte 2015
Cao Fei
La Town, 2014
model
La Town (2014) by Cao Feila Biennale di Venezia - Biennale Arte 2015
Cao Fei
La Town, 2014
model
Installation View (2015) by Rupali Gupte & Prasad Shettyla Biennale di Venezia - Biennale Arte 2015
Rupali Gupte & Prasad Shetty
Transactional Objects, 2015
various materials
Arts, Crafts and Facts (2015) by Maja Bajevicla Biennale di Venezia - Biennale Arte 2015
Maja Bajevic
Arts, Crafts and Facts, 2015
mixed media installation, carpet, eleven embroideries
NoNoseKnows (2015) by Mika Rottenbergla Biennale di Venezia - Biennale Arte 2015
Mika Rottenberg
NoNoseKnows, 2015
mixed media installation, video, color, sound (approx. 22’)
NoNoseKnows (2015) by Mika Rottenbergla Biennale di Venezia - Biennale Arte 2015
Mika Rottenberg
NoNoseKnows, 2015
mixed media installation, video, color, sound (approx. 22’)
Urban Requiem (2015) by Barthélémy Toguola Biennale di Venezia - Biennale Arte 2015
Barthélémy Toguo
Urban Requiem, 2015
installation with steel ladders, Iroko wooden stamps, ink prints on paper
Urban Requiem (2015) by Barthélémy Toguola Biennale di Venezia - Biennale Arte 2015
Barthélémy Toguo
Urban Requiem, 2015
installation with steel ladders, Iroko wooden stamps, ink prints on paper
Biennale Arte 2015 - Barthélémy Toguola Biennale di Venezia - Biennale Arte 2015
Error in grid (2015) by Mariam Suhailla Biennale di Venezia - Biennale Arte 2015
Mariam Suhail
Error in Grid, 2015
four drawings in pencil on printed paper
A-t-on besoin des ombres pour se souvenir? (2015) by Massinissa Selmanila Biennale di Venezia - Biennale Arte 2015
Massinissa Selmani
A-t-on besoin des ombres pour se souvenir?, 2015
graphite on paper
A-t-on besoin des ombres pour se souvenir? N° 3 (2013) by Massinissa Selmanila Biennale di Venezia - Biennale Arte 2015
Massinissa Selmani
A-t-on besoin des ombres pour se souvenir? N°3, 2013
graphite on paper
1000 Villages (2015) by Massinissa Selmanila Biennale di Venezia - Biennale Arte 2015
Massinissa Selmani
1000 villages, 2015
drawings on notebook pages and cover, graphite, marker and transfers on paper and tracing paper
Biennale Arte 2015 - Massinissa Selmanila Biennale di Venezia - Biennale Arte 2015
Clothes for the demonstration against false election of Vladimir Putin (2011/2015) by GLUKLYA / Natalia Pershina Yakimanskayala Biennale di Venezia - Biennale Arte 2015
GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood
Clothes for the demonstration against false election of Vladimir Putin (2011/2015) by GLUKLYA / Natalia Pershina Yakimanskayala Biennale di Venezia - Biennale Arte 2015
GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood
GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood
GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood
Biennale Arte 2015 - Gluklya (Natalia Pershina-Yakimanskaya)la Biennale di Venezia - Biennale Arte 2015
The Botany of Desire (2014/2015) by Hwayeon Namla Biennale di Venezia - Biennale Arte 2015
Hwayeon Nam
The Botany of Desire, 2014-2015
two-channel HD video, color, sound (8’ 23”)
The Botany of Desire (2014/2015) by Hwayeon Namla Biennale di Venezia - Biennale Arte 2015
Hwayeon Nam
The Botany of Desire, 2014-2015
two-channel HD video, color, sound
The Botany of Desire (2014/2015) by Hwayeon Namla Biennale di Venezia - Biennale Arte 2015
Hwayeon Nam
The Botany of Desire, 2014-2015
two-channel HD video, color, sound
Plan for Greater Baghdad (2015) by Ala Younisla Biennale di Venezia - Biennale Arte 2015
Ala Younis
Plan for Greater Baghdad, 2015
two and three dimensional prints, archival materials and model
Pixel Interface II (2015) by Mikhael Subotzkyla Biennale di Venezia - Biennale Arte 2015
Mikhael Subotzky
Pixel Interface II, 2015
three looped digital videos of varying lengths with sound, polycarbonate screen, three projectors, three custom steel tables, three LCD screens, three custom-made microscopes with objectives, three digital HD microscope cameras, cables
Pixel Interface II (2015) by Mikhael Subotzkyla Biennale di Venezia - Biennale Arte 2015
Mikhael Subotzky
Pixel Interface II, 2015
three looped digital videos of varying lengths with sound, polycarbonate screen, three projectors, three custom steel tables, three LCD screens, three custom-made microscopes with objectives, three digital HD microscope cameras, cables
Biennale Arte 2015 - Mikhael Subotzky: Pixel Interface IIla Biennale di Venezia - Biennale Arte 2015
Installation View (2014) by Georg Baselitzla Biennale di Venezia - Biennale Arte 2015
Georg Baselitz
installation view, 2014
oil on canvas
Installation View (2014) by Georg Baselitzla Biennale di Venezia - Biennale Arte 2015
Georg Baselitz
installation view, 2014
oil on canvas
A Trans-African Worldspace (2015) by Invisible Borders Trans-African Projectla Biennale di Venezia - Biennale Arte 2015
Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound
A Trans-African Worldspace (2015) by Invisible Borders Trans-African Projectla Biennale di Venezia - Biennale Arte 2015
Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound
A Trans-African Worldspace (2015) by Invisible Borders Trans-African Projectla Biennale di Venezia - Biennale Arte 2015
Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound
A Trans-African Worldspace (2015) by Invisible Borders Trans-African Projectla Biennale di Venezia - Biennale Arte 2015
Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound
A Trans-African Worldspace (2015) by Invisible Borders Trans-African Projectla Biennale di Venezia - Biennale Arte 2015
Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound
Room 9 - Im Heung-soon
Factory Complex, 2014–2015 - video, color, sound (95’)
Factory Complex (2014/2015) by Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)
Factory Complex (2014/2015) by Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)
Factory Complex (2014/2015) by Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)
Factory Complex (2014/2015) by Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)
Factory Complex (2014/2015) by Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)
Factory Complex (2014/2015) by Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)
Factory Complex (2014/2015) by Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)
Biennale Arte 2015 - Im Heung-soonla Biennale di Venezia - Biennale Arte 2015
Transactional Objects, Object 1: Poky Shop (2015) by Rupali Gupte & Prasad Shettyla Biennale di Venezia - Biennale Arte 2015
Rupali Gupte & Prasad Shetty
Transactional Objects, Object 1: Poky Shop, 2015
wood
Transactional Objects, Object 6: Astrologer’s Chair (2015) by Rupali Gupte & Prasad Shettyla Biennale di Venezia - Biennale Arte 2015
Rupali Gupte & Prasad Shetty
Transactional Objects, Object 6: Astrologer’s Chair, 2015
wood, plywood
Transactional Objects, Object 7: Shop Under Staircase (2015) by Rupali Gupte & Prasad Shettyla Biennale di Venezia - Biennale Arte 2015
Rupali Gupte & Prasad Shetty
Transactional Objects, Object 7: Shop Under Staircase, 2015
wood, rope, brass, paint
Transactional Objects, Object 9: One-foot Shop (2015) by Rupali Gupte & Prasad Shettyla Biennale di Venezia - Biennale Arte 2015
Rupali Gupte & Prasad Shetty
Transactional Objects, Object 9: One-foot Shop, 2015
plywood, brass
Biennale Arte 2015 - Rupali Gupte & Prasad Shettyla Biennale di Venezia - Biennale Arte 2015
Room 10
THE PORTRAIT OF SAKIP SABANCI (2014) by Kutluğ Atamanla Biennale di Venezia - Biennale Arte 2015
Kutluğ Ataman
THE PORTRAIT OF SAKIP SABANCI, 2014
9,216 LCD panels configured in 144 modules of 64 LCD panels each
Kutluğ Ataman
THE PORTRAIT OF SAKIP SABANCI, 2014
9,216 LCD panels configured in 144 modules of 64 LCD panels each
Biennale Arte 2015 - Kutluğ Atamanla Biennale di Venezia - Biennale Arte 2015
Passengers (2011) by Chris Markerla Biennale di Venezia - Biennale Arte 2015
Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra
Passengers (2011) by Chris Markerla Biennale di Venezia - Biennale Arte 2015
Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra
Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra
Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra
Room 11
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting) (1992/2015) by Maria Eichhornla Biennale di Venezia - Biennale Arte 2015
Maria Eichhorn
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting), 1992/1994/2015
oil paint applied to canvases, 177 primed canvases, 177 oil paints, 177 brushes, oil painting medium, daily schedule, work table, chair, publication Scent and Chemistry. The Molecular World of Odors, olfactory perception of oil paint
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting) (1992/2015) by Maria Eichhornla Biennale di Venezia - Biennale Arte 2015
Maria Eichhorn
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting), 1992/1994/2015
oil paint applied to canvases, 177 primed canvases, 177 oil paints, 177 brushes, oil painting medium, daily schedule, work table, chair, publication Scent and Chemistry. The Molecular World of Odors, olfactory perception of oil paint
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting) (1992/2015) by Maria Eichhornla Biennale di Venezia - Biennale Arte 2015
Maria Eichhorn
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting), 1992/1994/2015
oil paint applied to canvases, 177 primed canvases, 177 oil paints, 177 brushes, oil painting medium, daily schedule, work table, chair, publication Scent and Chemistry. The Molecular World of Odors, olfactory perception of oil paint
Biennale Arte 2015 - Maria Eichhornla Biennale di Venezia - Biennale Arte 2015
Blancheur rigide dérisoire en opposition au ciel (2015) by Cheikh Ndiayela Biennale di Venezia - Biennale Arte 2015
Cheikh Ndiaye
Blancheur rigide dérisoire en opposition au ciel, 2015
mixed media site specific installation
Untitled 2015 (14,086 unfired) (2015) by Rirkrit Tiravanijala Biennale di Venezia - Biennale Arte 2015
Rirkrit Tiravanija
Untitled 2015 (14,086 unfired), 2015
raw bricks, wooden stamps, tools
Untitled 2015 (14,086 unfired) (2015) by Rirkrit Tiravanijala Biennale di Venezia - Biennale Arte 2015
Rirkrit Tiravanija
Untitled 2015 (14,086 unfired), 2015
raw bricks, wooden stamps, tools
Biennale Arte 2015 - Rirkrit Tiravanijala Biennale di Venezia - Biennale Arte 2015
A House Divided (2015) by Gary Simmonsla Biennale di Venezia - Biennale Arte 2015
Gary Simmons
A House Divided, 2015
mixed media site specific installation, MDF, plywood, fir, oil based paint
A House Divided (2015) by Gary Simmonsla Biennale di Venezia - Biennale Arte 2015
Gary Simmons
A House Divided, 2015
mixed media site specific installation, MDF, plywood, fir, oil based paint
The Sinthome Score (2014/2015) by Dora Garcíala Biennale di Venezia - Biennale Arte 2015
Dora García
The Sinthome Score, 2014-2015
installation and performance
The Sinthome Score (2014/2015) by Dora Garcíala Biennale di Venezia - Biennale Arte 2015
Dora García
The Sinthome Score, 2014-2015
installation and performance
