The Australian Ballet

From the classics to contemporary dance - and with Swan Lake as its talisman - The Australian Ballet continues to navigate the past, present and future of an august art form.

The Australian Ballet's Kevin Jackson and Lana Jones in David McAllister’s The Sleeping Beauty (2015) by Daniel BoudSydney Opera House

The Australian Ballet has been delivering extraordinary performances for more than 50 years, since its first full-length performance of Swan Lake in 1962. Where Australian audiences once had to wait for the next tour of Anna Pavlova, the Borovansky Ballet or another in the Ballets Russes tradition, they now have this home-grown and renowned company, which tours the nation and the world. And Swan Lake - reimagined for The Australian Ballet by Graeme Murphy for its 40th Anniversary in 2002 and by Stephen Baynes’ traditional production for its 50th in 2012 - remains a firm favourite at home and abroad.

As those productions show, the company has been both daringly contemporary and careful with the classic repertoire under Artistic Director and former Principal Artist David McAllister AM. A commitment to excellence, a spirited approach and a willingness to take risks have defined the company, both onstage and off, from its earliest days through artistic directors such as Peggy van Praagh, Robert Helpmann, Anne Woolliams and Maina Gielgud.

Supporting 70 acclaimed dancers, a network of elite artisans works tirelessly behind the scenes to create the splendour you see on stage – costumes are made with couture-like the care. The company also includes trainers and physical therapists, marketers, musicians, digital and education specialists. Together they present more than 250 shows and 1000 events each year.

Moving effortlessly between the great classical ballets and contemporary commissions, the company creates a uniquely Australian beauty powered by athleticism. As it embarks on its second half-century, The Australian Ballet is poised to reach more audiences than ever, both at home and abroad.

The Sleeping Beauty Awakes (2015) by The Australian BalletSydney Opera House

A preview of David McAllister’s 2015 production of The Sleeping Beauty, starring principal artists Lana Jones and Kevin Jackson.

The Australian Ballet's Kevin Jackson and Lana Jones in David McAllister’s The Sleeping Beauty (2015) by Daniel BoudSydney Opera House

Maina Gielgud on Giselle (2015) by The Australian BalletSydney Opera House

Maina Gielgud, The Australian Ballet's artistic director from 1983 to 1996, on Giselle.

A Day in the Life of Benedicte Bemet (2015) by The Australian BalletSydney Opera House

The Australian Ballet's Kevin Jackson and Benedicte Bemet in Sydney Opera House’s studio rehearsing the main roles for David McAllister’s The Sleeping Beauty, Kate Longley, 2015, From the collection of: Sydney Opera House
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The Australian Ballet's David McAllister in Maina Gielgud’s Giselle, Branco Gaica, 2001, From the collection of: Sydney Opera House
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A graduate of the Australian Ballet School, Perth-born David McAllister joined the Australian Ballet in 1983. He was promoted to senior artist in 1986 and to principal artist in 1989.

His many principal roles with the company included those in Onegin, Romeo and Juliet, La Fille mal gardée, The Sleeping Beauty, Don Quixote, The Sentimental Bloke, Coppélia, Manon, La Sylphide, Sinfonietta and Stepping Stones.

In 1985 he won a bronze medal at the Fifth International Ballet Competition in Moscow, after which he was invited to return to the USSR as a guest artist where he made numerous appearances with the Bolshoi Ballet, the Kirov Ballet, the Georgian State Ballet and other companies.

David McAllister in choreographer Graeme Murphy’s Beyond Twelve, Branco Gaica, 1980, From the collection of: Sydney Opera House
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Kelvin Coe in Graeme Murphy’s Beyond Twelve, Branco Gaica, From the collection of: Sydney Opera House
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Francis Croese and Lucette Aldous in choreographer Peggy van Praagh’s The Sleeping Beauty, Gregory Weight, 1973, From the collection of: Sydney Opera House
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The Australian Ballet’s Amber Scott and Bangarra Dance Theatre’s Patrick Thaiday atop the Sydney Opera House's sails, Jess Bialek, 2012, From the collection of: Sydney Opera House
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The Australian Ballet’s Amber Scott and Bangarra Dance Theatre’s Patrick Thaiday on top of the Sydney Opera House sails, Jess Bialek, From the collection of: Sydney Opera House
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Artists of The Australian Ballet in Graeme Murphy’s Swan Lake, Jim McFarlane, From the collection of: Sydney Opera House
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The Australian Ballet's Alexa Heckmann in Meryl Tankard’s Wild Swans, Branco Gaica, 2003, From the collection of: Sydney Opera House
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Amy Harris and Jake Mangakahia in Swan Lake, Jess Bialek, 2012, From the collection of: Sydney Opera House
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Principal Artist Lucinda Dunn takes her final bow on the Sydney Opera House stage in 2014 after a performance of Kenneth MacMillan’s Manon, Lisa Tomasetti, 2014, From the collection of: Sydney Opera House
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Bangarra Dance Theatre's Patrick Thaiday, Sidney Saltner and Elma Kris in Stephen Page’s Rites, Jim McFarlane, 2006, From the collection of: Sydney Opera House
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Artists of The Australian Ballet in The Nutcracker, Jim McFarlane, 1994, From the collection of: Sydney Opera House
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Lucette Aldous and Garth Welch in The Australian Ballet’s The Sleeping Beauty, 1973, Don McMurdo, From the collection of: Sydney Opera House
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The Australian Ballet, dancers Marilyn Jones and John Meehan in Peggy van Praagh’s The Sleeping Beauty, The Australian Ballet, From the collection of: Sydney Opera House
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The Australian Ballet, John Cranko’s Romeo and Juliet, David Parker, 1975, From the collection of: Sydney Opera House
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Crowds wait outside Sydney Opera House for the world premiere of dancer Rudolf Nureyev’s film, Don Quixote, David Formby, 1973, From the collection of: Sydney Opera House
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Amber Scott in David McAllister’s The Sleeping Beauty (2015) by Kate LongleySydney Opera House

The Australian Ballet's Simone Goldsmith and Steven Heathcote in Graeme Murphy’s Swan Lake by Jeff BusbySydney Opera House

Dancers Jade Wood, Jasmin Durham and Imogen Chapman in a publicity shoot for Imperial Suite (2014) by The Australian BalletSydney Opera House

Jade Wood, Jasmin Durham and Imogen Chapman in a publicity shoot for Imperial Suite.

Ella Havelka and Jake Mangakahia in The Australian Ballet and Bangarra Dance Theatre’s production of Warumuk – in the dark night (2012) by Jeff BusbySydney Opera House

Artists of The Australian Ballet in Graeme Murphy’s Swan Lake by Jim McFarlaneSydney Opera House

Credits: Story

Created by Sam Doust and the
Sydney Opera House GCI Team

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Contributors:
The Australian Ballet

Credits: All media
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