The Magnitude of Small things

Masterpieces from Bruni Tedeschi Collection

Allegorical scene of Pygmalion (1793 - 1793) by Knight of MontviolPalazzo Madama

Myths and legends

From XVIII century in France, as in Europe too, an enthusiasm for allegoric scenes and mythological figures spreads, a phenomenon known as miniature gender. Society wants to evade reality in favor of dreamy and fairy subjects  

Allegorical scene of Pygmalion (Retro) (1793/1793) by Il Cavaliere di MontviolPalazzo Madama

Queen Marie-Antoinette (1776 - 1776) by Jean-Laurent MosnierPalazzo Madama

Click of Power

Because of the high artistic quality, miniature portrait is an instrument of success and recognition for powerful people and artists who want leaving a mark. From Marie Antoinette to Vittorio Alfieri, the key-word is power  

Lady Elisabeth of France, Marie-Gabrielle Capet, about 1785 - about 1785, From the collection of: Palazzo Madama
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King Louis XVI, Louis-Marie Sicardi, 1784 - 1784, From the collection of: Palazzo Madama
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Camillo Benso, count of Cavour (1873 - 1873) by Antonio MasuttiPalazzo Madama

Camillo Benso, count of Cavour (Retro) (1873/1873) by Antonio MasuttiPalazzo Madama

Emperor Napoleon, Jean-Baptiste Isabey, about 1810 - about 1810, From the collection of: Palazzo Madama
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The poet Vittorio Alfieri, François-Xavier Fabre, about 1800 - about 1800, From the collection of: Palazzo Madama
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«Sublime specchio di veraci detti,
mostrami in corpo e in anima qual sono»

Poem "My portrait" by Vittorio Alfieri

Portrait of prince Eugenio of Savoia-Carignano, Ismael Mengs, about 1725 - about 1725, From the collection of: Palazzo Madama
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Portrait of a young woman (about 1785 - about 1785) by Nathaniel PlimerPalazzo Madama

Love is in the Hair

From XVIII century, the portrait is also a statement of love feelings, which create an emotional relationship between the donor and the recipient. On the one side the face of the beloved, on the other not only messages of love but also hair strands arranged along precious and complex structures.  

Portrait of a young woman (Retro) (1785/1785) by Nathaniel PlimerPalazzo Madama

Sir John Sinclair (about 1792 - about 1792) by Andrew PlimerPalazzo Madama

Always with you

Miniature portrait was an intimate present as a reminder of love and devotion. Often, it decorated  bracelets, lockets or pins fixed on ties and ribbons 

Sir John Sinclair (Retro) (1792/1792) by Andrew PlimerPalazzo Madama

Portrait of a young lady, Andrew Plimer, about 1795 - about 1795, From the collection of: Palazzo Madama
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Portrait of a young lady (Retro) (1795/1795) by Andrew PlimerPalazzo Madama

Portrait of count Silvestro Mazé of Mombello, Scuola italiana, 1798 - 1798, From the collection of: Palazzo Madama
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Portrait of count Silvestro Mazé of Mombello (Retro) (1798/1798) by Scuola italianaPalazzo Madama

Portrait of a man (about 1795 - about 1795) by Jean-Baptiste IsabeyPalazzo Madama

A message of love

«I should be exquisitely miserable without the hope of soon seeing you. I should be afraid to separate myself far from you..[...] My Love is selfish – I cannot breathe without you.» John Keats

Portrait of a man (Retro) (1795/1795) by Jean-Baptiste IsabeyPalazzo Madama

Portrait of a woman (1806 - 1806) by Carl De Bourbon HummelPalazzo Madama

Remember me...

Wars were the reason of lovers separation. Because of this, it was important to have an object as a reminder of the beloved and of reasons of his absence, through metaphorical symbols.

A handcherkief, a spilled jar, a meaningful date( maybe the departure one)...all symbols of two separeted lovers

On the background, a statue which symbolizes a woman sitting on an anchor as a proof of wait

Lady Anne Beechey with her baby Anne (1800 - 1800) by Henry BonePalazzo Madama

The Age of Innocence

In the nineteenth century, miniature portrait is expression of a wide range of feelings, not only love but also maternity and filial love 

Portraits of Edward Long twin sons, James Scouler, 1771 - 1771, From the collection of: Palazzo Madama
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Portrait of Adeline and Charles Leigneux of Anhalt, Pierre Louis Bouvier, 1804 - 1804, From the collection of: Palazzo Madama
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Leslie Ward and Her Sister (1854) by Charles William RossPalazzo Madama

Portrait of a young girl, Luigi Gandolfi, about 1845 - about 1845, From the collection of: Palazzo Madama
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Portrait of a boy, Scuola italiana, about 1800 - about 1800, From the collection of: Palazzo Madama
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