Discover the legendary love story of Inês de Castro & Peter I of Portugal
Peter I, son of King Afonso IV and Queen Beatriz de Castela, was King of Portugal from 1357 until his death in 1367.
Inês de Castro was a Galician noblewoman born of Pedro Fernández de Castro, a Galician nobleman, and Aldonça Lourenço de Valadares, a Portuguese noblewoman.
D. Inês arrived in Portugal in 1340, as a maid of D. Constanza Manuel, newly married to D. Pedro, heir to the Portuguese throne.
D. Pedro and D. Inês fell in love almost immediately, beginning a clandestine love affair that would prove to be tragic. King D. Afonso IV, D. Pedro's father, feared that D. Ines's influence on the Prince would endanger Portugal's relations with the Kingdom of Castile, and in 1344 expelled D. Inês from the court.
Here we can see the gardens of Quinta das Lágrimas ("The Estate of Tears") in Coimbra, where the loving couple had their secret meetings.
In the following year, after the death of D. Constanza, against the will of his father, D. Pedro brought D. Inês back to the court. Refusing to marry any other noble chosen by the King, D. Pedro decided to live with D. Inês, with whom he would have four children.
D. Afonso IV, more and more afraid of the consequences of this relation for the future of the Kingdom of Portugal, ordered the killing of D. Inês. Executed in Coimbra, she was buried in the Monastery of Santa Clara, which today is called the Monastery of Santa Clara-a-Velha.
According to the legend, the blood of D. Inês still stains the stone bottom of the "Fonte Das Lágrimas" ("Fountain of Tears), where she would have been dead. The legend also says that you can still hear D. Inês crying in the gardens of Quinta das Lágrimas, eternally searching for Pedro, her lost love.
The tomb of Inês de Castro rests on six hybrid figures with human faces the bodies of beasts.
The sides of the tomb are fully decorated with scenes from the New Testament, culminating in the head side with a depiction of the Crucifixion.
At the foot end, the side features a representation of the Final Judgement in three registers along a sinuous line that starts at the mouth of Leviathan.
Christ in his majesty presides over the Divine court. One can identify the Virgin Mary on her knees surrounded by angels and apostles and the miracle of the Resurrection.
The recumbent figure of Inês de Castro wears a crown and her head and mantle are borne by four angels accompanied by two incense swinging angels.
The sides of the D. Pedro's tomb are fully decorated with scenes from the life of Saint Bartholomew.
At the head end, we find the most charismatic element of the tomb: the Wheel of Life - a rosette formed by eighteen relief sculptural scenes in two concentric circles, in which the interior represents the Wheel of Fortune and the exterior represents the Wheel of Life.
Reading from left to right in an ascendant direction, the scenes depict joyous moments; while tragedy is depicted on the other side on the way down, most notably King Pedro in his shroud in his tomb, with an image of the King in all his majesty being the opposite image. There is also an inscription beneath the recumbent figure of Pedro which reads “H(ere) ends the Wo(rld)”.
The foot end of the tomb features representations of the last rites of a good death: the Viaticum and the Extreme Unction.
The figure of D. Pedro I appears crowned, with the sword in his hands. He is flanked by four angels who support his head and shoulders, followed by two thurifer angels.
At his feet is a dog lying crosswise to his figure.
An heraldic frieze with the shields of Portugal ends the top of this tomb, which rests on six lions.
Text: Wikipedia; Alcobaça Monastery
Street Art mural: Galeria de Arte Urbana
