Funaki Kiln in Fujina

Famous kiln in Shimane prefecture with about 300 years of history tracing back to mid-Edo period.

By Kyoto Women's University, Lifestyle Design Laboratory

Kyoto Women's University, Lifestyle Design Laboratory

View from Funaki Kiln in Fujina (2017)Kyoto Women's University, Lifestyle Design Laboratory

The history of Funaki
Kiln in Fujina

The history of the Funaki family is also the history of Fujina Ware, boasting about 300 years. Around mid-Edo period Funaki Yojibei Muramasa relocated to Fujina, where his three children each independently established their own potteries. This was the beginning of Fujina Ware. The Funaki Kiln today was a branch from one of the three potteries and opened in 1845. Beginning with Funaki Heibei as the first generation, followed by second-generation Asatarō, third-generation Asatarō Unbei, and onto fourth-generation Michitada in the Taishō period. During the Edo period sea shipment was the main method of distributing commodities. The Lake Shinji cove where Funaki Kiln is located was a port from which pottery and ceramic wares made at Funaki Kiln were transported to the rest of Japan.

 

Funaki Kiln, Fujinayaki (2017)Kyoto Women's University, Lifestyle Design Laboratory

The
history of Funaki Kiln

 

By the time of the third generation, the kiln was mainly producing wares for export to the west. There were many small huts at the pottery and a large number of workers working under labour division, with as many as over 200 workers were employed at times. During the Edo period private kilns like Funaki Kiln made various products for general usage. Japan’s participation in the world expositions during the Meiji period became the catalyst for exportation toward the west. With its central role in the region, Funaki Kiln would continue to develop, reaching its peak during the Taishō period.

 

 

The era of export ware, Fujinayaki (2017)Kyoto Women's University, Lifestyle Design Laboratory

The era of exportation

Funaki Kiln produced wares for exportation as cheaper versions of renowned French Limoges porcelain between the Meiji and Taishō period. These products were oriented for the US and Germany; their dark green and cinnabar colours perfectly match the Limoges shape and are still beautiful to behold today. It is sad that this was the result of mutual influence with the products of Rookwood pottery in Cincinnati at the time. 

Encounter with the Mingei movement, Fujinayaki (2017)Kyoto Women's University, Lifestyle Design Laboratory

Encounter
with the Mingei movement

 

Michitada (fourth generation) was born in 1900. He studied western painting at an art school in Tokyo in his youth, and when he took over his family business he began wondering what to do with it. It was around that time that he met Ōhara Magosaburō of Kurashiki Museum of Folkcraft, and became acquainted with Hamada Shōji, Bernard Leach and Yanagi Muneyoshi (Sōetsu) known for their involvement in the Mingei (folkcraft) movement. By the time of Kenji (fifth generation), the Mingei movement had become popular nationwide. Although Funaki Kiln is sometimes considered as part of the Mingei movement, Kenji’s connection with the Mingei movement was personal. He may have been influenced by the movement, but Funaki Kiln on the whole was not involved in promoting the movement.

 

 

Bottle, Funaki Kiln (2017) by Funaki Michitada (1900-1963) and Photo: Mori YoshiyukiKyoto Women's University, Lifestyle Design Laboratory

A work
by Funaki Michitada 

Funaki Michitada used kimachi’ishi (stone quarried in Kimachi) and achieved his characteristic Fujina yellow glaze, earning him the title of the Holder of Intangible Cultureal Property of Shimane Prefecture in 1962. The voluminous form of his works and the way the shoulders stretch out remind one of the art décor era, while his characteristic use of colours such as green prevents his works from looking too simple.

 

 

Square tray with greenish yellow glaze, Funaki Kiln (2017) by Funaki Kenji and Photo: Mori YoshiyukiKyoto Women's University, Lifestyle Design Laboratory

Works by Funaki Kenji

The large dish in vibrant olive green is made with a modern and simple design typical of Funaki Kenji, the fifth generation. He studied under Hamada Shōji, before going on to win the Japanese Folk Crafts Museum Award in 1950. In 1967 he went to England to further study pottery at the potteries of Bernard and David Leach, fully acquiring the techniques for making slipware. He is known for large dishes, pitchers with handles, and so forth.

 

 

Tea bowl, Funaki Kiln (2017) by Funaki Shinji and Photo: Mori YoshiyukiKyoto Women's University, Lifestyle Design Laboratory

Tea
cup by Funaki Shinji

Funaki Shinji’s works are characteristic in that they are unique designs based on the tradition of Funaki Kiln. Using materials found in Shimane prefecture, he creates a variety of works like light-yellow vessels or slipware by applying a variety of techniques (such as using a syringe to squeeze out engobe, painting patterns, and so forth).

 

Large bowl, Funaki Kiln (2017) by Funaki Shinji and Photo: Mori YoshiyukiKyoto Women's University, Lifestyle Design Laboratory

Large
bowl by Funaki Shinji

This large bowl is striking with its silver-colour glaze and dark indigo polka-dot pattern. To obtain the silver colour, the bowl was fired 3 times after biscuit firing. 

Ever-changing Funaki Kiln, Fujinayaki (2017) by Funaki Kiln and Photo: Mori YoshiyukiKyoto Women's University, Lifestyle Design Laboratory

Ever-changing
Funaki Kiln

 

Funaki
Kiln in Fujina has always created wares keeping with the times over its
300-year history, resulting in the variety of works produced
by the kiln. 

Successor of Funaki Kiln, Fujinayaki (2017)Kyoto Women's University, Lifestyle Design Laboratory

Successor

 

Funaki Shinji tells us that, “I am not thinking about my successor. I don’t want to work thinking about what happens after I retire, neither do I work thinking about the past. I work by thinking that it’s now or never.”

The Viewing Room of Funaki Kiln, Fujinayaki (2017) by Funaki Kiln and Photo: Mori YoshiyukiKyoto Women's University, Lifestyle Design Laboratory

The Viewing Room

 

Funaki Kiln with a scenic view of Lake Shinji can be visited by pre-booking. Past works are on display and sold at the Viewing Room. 

Credits: Story

Information & images provided by:
Funaki Kiln

Direction & Text by:
Ueno Masato

English translation:
Eddy Y. L. Chang

Exhibition created by:
Aaruga Yu, Kyoto Women's University

Project Directors:
Maezaki Shinya, Associate Professor, Kyoto Women's University
Masako Yamamoto, Ritsumeikan University

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
Explore more
Home
Discover
Play
Nearby
Favorites