3D priniting for warfare

In this digital artwork, Ayaz Basrai envisioned a future where additive manufacturing—or 3D printing—had become the norm, pushing the boundaries of its potential. In this imagined scenario, the military emerged as the largest investor in 3D printing technology, scaling up the size and complexity of prints. The artwork depicted a facility dedicated to 3D-printing military tanks, reflecting the shift in defense manufacturing practices.

The artwork is part of an innovative exhibition called 'Visions of the Future'. It is presented under Futurescape, a project from the Wisdom and Culture Lab at the University of Waterloo, in collaboration with scholars from the Forecasting Research Institute at the University of Pennsylvania. Through a longitudinal forecasting tournament, researchers explored possible visions for human welfare and societal change, drawing on the insights of experts, superforecasters, and everyday people across four key domains: Climate, Economy, Peace/ War, and Public Health.

Ayaz’s artwork imagined a future as messy and unfinished as the present—always a work in progress. Inspired by insights from forecasters, he explored both sweeping trends and subtle signals of change, from the rise of AI to the corporate takeover of agriculture.

Fascinated by mundane futures, Ayaz considered how everyday life might absorb new technologies in clumsy, improvised ways. Set in 2045, his work captured a world where the past, present, and future collide—revealing a future that feels oddly familiar.

Disclaimer: The artwork presented here is a speculative visualisation generated using AI. It is based on current insights and expert forecasts, but it represents imagined possibilities rather than definitive predictions of the future. The story and locations mentioned in it should be understood as creative interpretations rather than factual representations of real-world scenarios.