Stylistically, the portrait is readily attributable to Swiss-born Jeremiah Theus, but it is a particularly appealing example of the prolific painter's work, not only thanks to the subject's youthfulness, physical attractiveness, and self-possession but also to the painter's skill in capturing these qualities. The oyster white color of Elizabeth Allen's gown is strikingly complemented by the vivid reds and blues of her flowers and costume details, while its sheen and texture invite visual caress.
The subject is thought to have been painted about the time of the her May 3, 1759, marriage to John Deas (1735-1790), a well-to-do planter and merchant who had emigrated from Scotland to America. The couple resided at Thorogood, a plantation located near the headwaters of Goose Creek (an affluent of the Ashley River) and one that was pillaged by British forces during the Revolution. (John, a patriot, left pithy remarks about his participation in the siege of Charleston; see Middleton, "Bibliography," p. 110.)
The portrait descended in the family of the subject until its 2012 purchase by Colonial Williamsburg. The acquisition reunites the painting with an impressive piece of furniture originally owned by the subject and her husband, a Charleston-made double chest acquired by Colonial Williamsburg in 1974.
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