I make a reappropriation of books, resignifying their content, decontextualizing it to narrate diverse situations with a poetic, biologic and topographic approach. I use procedures that come from archaeology and visual arts. The shapes of the woods that are found in the pieces have different roles: they are characters or places that inhabit or transit the books and show features of ambiguous and uncontrollable biological forms, unburied in the diverse literary volumes. Wood keeps an intimate relationship with books, since it is their main raw material, but in this case, besides being part of them, it inhabits and questions them simultaneously.
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